My son and I spent some time this morning lying in bed, me with a big cup of coffee, still both in our pajamas, going through the blog archives of Johnson Tsang, a sculptor from Hong Kong. Our minds were blown as we paged through the many stages of construction of “Painful Pot” which is a dragon coiled around and squeezing a porcelain vase; and then “Convergence”, a pair of hands holding a melting gun balanced over a ravaged half melted face of Buddha. Both Milo and I liked Tsang’s politics, of peace and compassion over war and violence, and combining human contact with natural forms with all the ways he worked with faces and splashing liquids.
I love this blog especially for its exposure of process. How did Tsang get from this plain form,
to this incredible complexity?
The holographic thought had to live first, in Tsang’s mind. Through the exposure of his technique step by step, we can follow a little bit of how the reality of that vision came to be. For the vision to be possible the knowledge of what was possible had to live in his hands, the practice of playing with materials and ideas. I love that with material and words, music and art, performances and even just daily life, there is space and we have infinite potential to fill that space. The next five minutes could be a calm silence or there could be a revolutionary speech that fires your soul or a piece of art so beautiful and complicated you cry at the joy of being alive.
Process exposure shows us possible paths for us to take potential into reality and make amazing things. As artists or conscious agents of our own reality we can take that steering wheel, though not every moment can hold that weight. We could fill our lives a little more with those moments or commemorations, reminders, of them in the form of what we make or in public art. Looking at this site with my son, neither of us are sculptors, but I came away with a renewed sense of commitment to my own craft and life. (Or maybe it was just the coffee….)
Thanks for the gorgeous blog, Johnson Tsang!