Oct 8: Zine-making workshop with the SF Disability Cultural Center

I’ll be giving a free workshop on how to make a tiny zine, coming up in a week or so, hosted via Zoom with the San Francisco Disability Cultural Center. It’s happening Tuesday, October 8, 2024, 6:00 PM – 7:30 PM Pacific time. Please register to get the link and more information!

Mini-zines are easy and fun to make – something about their tiny form is very freeing! Liz Henry, poet, literary translator, small press publisher, hacker, and maker of innumerable zines, will facilitate this hands-on workshop. We’ll look at a few zines for inspiration and construct our tiny zines together. We’ll hang out and chat while we all start – and maybe finish – our own! Zine-making kits are available for folks in the Bay Area.

If you are in the Bay Area, you can also check out some other zine making communities and events!
The DIY Museum is doing neat work and hosts a ton of events!
– SF Public Library’s monthly Zinething: https://sfpl.org/events/2023/10/17/activity-zinething
Tiny Zine Library‘s Zine Club – 2nd Sunday of the month at Szygzy Coop in the Haight
– periodic events at Double Union makerspace in the Mission

I’m sure there are more, but these are the ones I know about!

two zines on a colorful tablecloth

Whill battery hack night at General Lithium

This week we held a little powerchair hack night with GOAT, Justin from General Lithium, CriptasticHacker and associates from Spokeland, Morgan from CIL, and more friends, to explore the battery technology of Whill Fi and Ci powerchairs. A Ci battery teardown is in progress along with an investigation into the Fi and its charger.

There was also knitting, and an adorable small support dog on a fluffy cushion. I had a cool moment realizing how many of us knew, or had worked with or learned from, John Benson (aka, Cripple A). I was thinking John, a fabulous human being, should get an award, and Morgan said, what he would really like is a parade. My mind took off with this great idea! What if we had a fabulous parade in his honor, with musical instruments and punk marching bands and a zillion wheelchair users zooming around?! We will also hopefully see him and some other repair and DIY wizards at our upcoming events!

a probably AI generated image of a futuristic looking glowing powerchair on a glowing disco platform

We didn’t do any formal talks or introductions, but CriptasticHacker kicked off by talking about one of his finished projects, the WBSW, Wheelchair Battery Spot Welder!

We have learned some things from cracking apart the Ci battery.
– It has hidden screws under the bottom corner pieces
– You still have to pry it open with a screwdriver and mallet
– The battery is encased in several layers of totally sealed plastic for waterproofing
– And under that it is podded, 5/6ths encased in rubbery gel stuff so you can’t really take it apart and hack it well.
– It has 1/4 kWh

For the Ci, our best option to soup it up (as it has fallen out of warranty and parts don’t seem to be readily available!) may be adding a new battery or batteries, which we could do for about $400 per kWh. We could easily fit 2 of those under my seat in the undercarriage basket. Then those could hook up to a new replacement (V)ESC (Electronic Speed Controller) which we then connect to the motor (managing the voltage etc. so it will be compatible).

For the Fi, we were able to access it a bitbetter and Zach, Henner, mjg, and others had a look with digital microscope, logic analyzer, etc. To figure out what is going on with the power management . Zach will describe all that on his hackaday.io page!

three people gathered around an electronics workbench

It was interesting to see the different approaches in play at the various workbenches. The laborious and intensive work needed for detailed understanding and reverse engineering is in some ways a philosophical stance, of learning, reuse, and conservation, but in other ways, a factor influenced by resource constraints. In other words, necessity is the mother of the meticulous teardown! The people with capital, on the other hand, had less patience with this approach and were ready to throw resources at a problem, and use new (or repurposed) stuff to do complete workarounds, or simply throw it all out and invent something new that would be more rapid to get working, even if unlikely to be elegant or refined in the first prototype.

There was a long discussion on how to make a kit to convert manual chairs to power with Justin and Morgan. To that I added some wild eyed ideas but also a pointer to these interesting, cheap, DIY open source wheelchair designs and to Whirlwind Wheelchair. We see people every day in the Bay Area who are struggling with clunky or broken chairs. It is a good topic for future exploration – what other conversion kits are out there? What were the problems and pitfalls? How feasible is it to to come up with a maintainable, cheap, design for such a thing?

I learned during the event that ESC (pronounce the letters in it) is an electronic speed controller (the thing I normally just call “motor controller” with a vague handwave.) VESC, frequently mentioned by our hardware hackers, is a particular technology – or we could call it a movement – that I think looks amazing – for “flexible, efficient, and reliable power systems for your platform”.

Another cool nexus of ideas that came up: Whill chairs come with Bluetooth and a phone app. You can control the chair from the app, configuring it with one of three pre-set acceleration curves. Could we write a new app to communicate with the chair and program it in different ways?

You can also steer the chair from a phone or tablet screen via Bluetooth. I have never actually used this feature. But we can see that airports are starting to explore using Whill chairs on auto-pilot, to take passengers to their gates. Using programmed routes but also LIDAR, like robot cars! That put a gleam in several people’s eyes. Actually, it put a whole range of different and hilarious facial expressions on everyone’s faces!

And as one more note for future investigation: The chairs also appear to log and send diagnostic information to the manufacturer. I’d certainly like to see that traffic! I wonder if it is encrypted and what the heck it is sending!

I’m really looking forward to Grassroots Open Assistive Tech hosting more electronics and hardware tinkering nights, as well as other DIY gatherings!

Overheard:
(just for fun – it was a lively event!)

“I’m so impressed with the fact that you bypassed the VMS…. Expert move”

“….. and then it would explode!”

“That motorcycle [points to motorcycle in a giant pile of e-bikes] has a battery bigger and more powerful than a tesla powerwall. and it goes 160 miles an hour! [gleeful laughter]”

“You can control it via bluetooth? Woah!! That’s my kink!”

“There are no standards for bike wheels, so there are 4 different kinds of 26 3/4 wheels and none of them work with the others!”

(Justin): “I’m gonna take your 1/4 kWh battery and give you THREE kWh. We can just strap the batteries under your seat.”
(me:) “Oh, great! I’ve always wanted to be launched into fucking SPACE with my ass on fire!”

“Is this illegal?” “No surely not!” “Well, maybe? But we’re just taking things apart, and looking at how it works! How can that be illegal?”

(FYI: This can be a complex question! You may want to read this Coder’s Rights Guide from EFF as a starting point. )

More pics from the event:
Wheelchair battery hack night at General Lithium

Thanks to everyone who showed up, chatted, tinkered, and especially thanks to our congenial hosts, General Lithium – they are a battery tech company, but they also have a nonprofit wing that runs this maker/coworking space in the heart of San Francisco. Have a look at their events page and membership information!

Disabled Ecologies

Experimental liveblogging! I’m in Berkeley at Pegasus Books for Sunaura Taylor‘s book event for Disabled Ecologies. Sunaura is here in conversation with Yomi Young from the Shelterwood Collective.

I have been reading the book on Kindle but like it so well that I want a physical copy too!

yomi and sunaura with microphones at front of a book lined room

You can read more about Yomi and her activist work in a zillion places but check out StoryCorps and maybe this article on the DJCC’s work early in the pandemic.

As Sunaura started her talk it only just now hit me that Sun-aura = Sonora like the Sonoran Desert. Oh! How did I miss that.
sunaura with microphone alongside an ASL interpreter

Crowd instantly on board with Yomi’s joke about doing some comedy performance art where they try to pass each other sheaf of papers in crip time (miming dropping papers and scrambling with hands)

yomi in powerchair, with the microphone

Sunaura reads us a short section from the introduction, Age of Disability. “Environmenal destruction is a story of disablement.” (Of people and of the land). “Mass ecological disablement of the human and non-human world.” Her story and her research are deeply rooted in Tucson’s history.

I lived in Tucson briefly – only for a few months, but I loved it and the desert and its life very much! Good memories of my many visits (with membership) to the Desert Museum, geologizing all over with Halka Chronic’s classic Roadside Geology of Arizona, and sneaking through the weird ruins of Biosphere 2!

A main point of the book is that just as disabled people have adapted and created ways of being, living, healing, doing care work, and finding joy, we can, or must, do the same with our relationship with the land.

Yomi mentions being blown away by the balance of philosophical discussion and personal history in the book. She asks Sunaura, Why now? Sunaura replies, she knew she would write it someday and her whole career has been leading up to it. And it has taken her 9 years to write! Her own life is entangled with the narrative of pollution on the southwest side of Tucson near the air force base and Hughes facilities. Her origin story gives her the roots of thinking about disability and nature. Not just her individual problem but that it is a political issue caused by systems of harm, racism, war, etc. and impact a whole community. Injury to nature is harm to all of us humans.

(It is like 1 million degrees in this bookstore as we are a large crowd sitting on a raised platform (there was a lift). My kingdom for a fan, or the space to leave and find a bathroom to remove the long underwear I unwisely wore so I would not be cold on the way home. I also regret the woolly socks. )

Yomi talks about the way the book is constructed. She loves how obsessed with aquifers Sunaura is. The book itself has an aquifer! Which has this nuanced way of organizing information. The pages of the book have , running along the book, an aquifer with extra explanations!

Aw I love this. Yomi has the soul of a poet. And one that admires huge nerdiness. Yay!

Sunaura says this is her favorite question because she loves aquifers so much! She talks about understanding aquifers as relational and as connected. “Magical holders of ancient time.” Unimaginable amounts of water under there, fossilized water.

She notes that because she doesn’t use her hands to read, she doesn’t like footnotes at the end of the book. So the running footnotes felt better to her and metaphorically became parallel in her mind to the underground running stream of information underlying the book.

Yomi says the book is an important one for disabiliyt studies but also for the environmental movement as it is not often Yomi sees environmentalist advocacy or research that includes disability – She feels it is a gift to our community. Sunaura has blown her mind with the new framing of community, disabled ecology.

Sunaura takes that idea and talks about disabled ecologies and communities. When she returned to Tucson as an adult she was following the trails of disability. The pollution and contamination left a trail of people, of wildlife, who were harmed. Wildlife was drinking from the unlined, uncovered pits. The trees died. And the aquifer was permanently altered. Material injuries didn’t just impact humans. Disabled Ecologies is in some ways a mapping project. (You can map not just where the weapons are made, but where they go off.) Disability not just a personal lived experience. She talked with many people and there were so many narratives of disability and illness, in public health, in community activists, in litigation, and these narratives – and mobilizations were often racialized in various ways.

Another short reading – from the chapter The Ground Beneath My Wheels. “What was I to make of this patch of land…” She felt a sense of solidarity with the injured landscape and was drawn to get to know it just as she was drawn to get to know the human communities. “How was I to write myself back into nature?” She then reads a quote that mentions Yomi and her work! (Audience goes oooooh!) Sunaura then reads a bit that mocks the hell out of Edward Abbey and his misogynist, ableist, colonialist writing. (Quotes about possessing a beautiful woman; and a bit where Abbey exhorts everyone to get up out of their motorized wheelchairs. (Audience laughs and boos; I have double flipped off the air for good measure. Cartoonishly bad!)

Knowing an aquifer wasn’t hindered by (in)accessiblity – it needs research, imagination, and understanding to become intimate with the aquifer. “The injured underground became a sort of companion.” “The desert I desired was bursting with community.” “Knowing the desert was not nearly as important as learning to be responsible to it.”

Yomi talks about her own work about land and disabled embodiement. That disability is incompatible with nature – this is a lie – And that natural spaces must be pristine and untouched – that we (disabled people especially but all humans) damage and corrode it. We who have been harmed should be leading the thinking about how to heal together with the land.

Yomi asks Sunaura about Mexican American communities who fought so hard for the environmental damage to be recognized. They continued naming it over and over and confronting environmental racism in a way that was so effective. Outside of movements, we don’t often hear these stories, it’s all Erin Brokovich where someone comes in to save the people. The skill this community had to use every possible tool at their disposal – including impact litigation – is great.

Sunaura – Talks about Yomi’s work with Shelterwood. She started off this project not knowing about the decades of incredibly environmental justice activism in South Tucscon. They should be given credit for the aquifer protection laws that were passed in Arizona. They were really badass but even in Tucson they are not well honored. Decades of contaminated groundwater. the city officials did nothing. No investigation, etc. But the community knew something was wrong. And then in the 1980s as they mobilized the City blamed it on their “lifestyle” or their diet, racist ableist ways to deny responsibility and making the community feel it was their own fault. This is often something that happens with disability!

Then at some point people were like, cleaning up the environment is one thing but right now we all need health care!

Time check! It is nearly 7, yay read the book! Any questions!

Audience m ember asks What happened then! (We all holler, you have to read the book!) Sunaura and Yomi: The story continues. For a while, they got a health program at a clinic. They won a historic groundwater protection fight and passed strong legislation. But the continued fuckery of the system is still harming people. And they are fighting for things they need to live and thrive as disabled people. There is no end.

Yomi: It never ends. And it’s very important that we don’t leave anyone behind. We don’t stamp out disability. It’s part of the human condition. It’s about, how do we live with disablement. Not leaving bodyminds behind, moving together, at the pace of our most marginalist and most disabled. That’s what is really beautiful about it.

Sunaura: it is a hopeful book and the framing of disability is a hopeful one. i know from the beautiful expansive world of disablity community . how can we make that reality one for the non human world as well?

A really lovely interview and talk, and I look forward to actually finishing the book!

So far, it makes me think about what I was trying to say in my short essay here, “Thoughts on AI, comradeship, ethics, interdependence” which I rewrote and made a bit longer for my zine Tabahtea Triple Junction. There, I started in a different place, with some recent discourse on AI and sentience, and tried to recontextualize it to the relationships we build with non human things including land. Sunaura’s book is crystalizing a lot of that thinking for me in a very useful way!

Coincidentally I also just re-read some of the Haraway she mentions and my friend unixjazz had messaged me a few days ago to say he found an OG copy of Sandra Harding‘s The Science Question in Feminism from 1986 while he was on vacation and snagged it for me (another book mentioned in Disabled Ecologies!) So maybe it is no wonder we are thinking about similar issues as we imagine the underground ebbs and flows! I will be going to unixjazz’s Common Tools event later this month to talk about DIY assistive tech as a liberatory idea with ecological connections, too!

Hip hop and a party

I took the 49 and the 30 buses across town to the Palace of Fine Arts for the International Hip Hop DanceFest – its 25th year! If you can, grab tickets and go tomorrow, it was an incredible trip.

The show was particularly great this year. I think my favorite peformance was the one led by Selasi Dogbatse from Brussels, “A Piece of Me” , which was incredibly emotional and dynamic – it seemed to go through a narrative of culture, family, artistic expression and a sort of artistic journey, but what often made it great was the relationships between the dancers as they really danced with each other in a communicative way that also felt like change happening between them. Ensemble work where everyone was individually going through artistic growth by their interactions in the actual performance! I don’t really know how to write about dance, but that was my impression!

colorful stage full of dancers

Wildly energetic and skilled dances from Flawless (London) who were acrobatic and stylish, House of Jit (Detroit), Wanted Posse (Paris) were total crowd pleasers, big ensembles. Wanted Posse acted out fantastic scenes from a 1920s speakeasy, House of Jit showed off Detroit style which I was not familiar with but which is FAST and complicated and looks super cool.

hiphop dancer on stage

There were two smaller acts, Snack Break Movement Arts from Philly, and Ben Donner who gave a heartfelt solo dedicated to his grandmother, as the opener to the show. Snack Break’s set was really beautiful as well and told a loose narrative of childhood friendships, games, rivalries and fun as the two friends compete and play – it had a nostalgic feel as they incorporated hopscotch and hand clapping in with their hip hop and swing moves.

Then there were the local ensembles, California representing! Str8jacket from San Mateo had a lot of young people and great choreographic talent. I thought of my son’s old group Community Street Jam and the choreo by Barb Miron and her crew who were often paying homage to Jabbawockeez, with fast and complex moves that never felt repetitive. I never know how they remember it all! Whew! They had great energy and I love the bay area waacking, popping, and whatever they were doing, I think I’d call it House. Then Versa-Style Dance Company from LA giving us a more matured west coast style infused with salsa that had the audience screaming and hooting! Along with a kind of similar feeling to Selasi Dogbatse’s group in that you could see different personalities and artistic journeys expressed and the joy and difficulty of creativity and collaboration. It feels wrong to pick favorites but they were also my favorite, they were just so perfect in every way and I could not even keep still in my chair! I had to go home and do some dancing around too!

The best thing about hip hop is the supportive culture that always shines through in Micaya’s shows, you can see the emotional strength of all the collaborations and of the (temporary) community around the show that she creates. Really a joy every year — I put it on my calendar for November just as soon as the “Save the Date” email arrives!

Micaya in a colorful dress with the mic in hand

I had a little interlude at Crissy Beach feeling the sand in my toes, admiring the pelicans, taking pics of the bridge and enjoying the late fall sun. Right near me a group of obviously queer parents of toddlers were dressed in spangles and sparkles for the birthday party of a little kid who has the same name as my son who I was thinking of all day long since we have always tried to go to this show together! It was funny to wish this tiny, silver sparkle loving Milo a happy birthday while I was thinking of my own grown up sparkle-loving Milo!

On the bus on the ride home I got lucky with entertaining bus driver action. It was rush hour crowded on the 49 but the driver kept us all amused in front of the bus with his friendly greetings and running commentary.

At one stop there was a lady with a giant cart with stuff strapped to it with bungies, a load higher than her head and probably about 2 and a half feet wide. Our driver pulled up and was like, “I am sympathetic to your situation but you got a lot goin’ on sister”. Very much standing room only at the front of the bus with me also wedged in there in my powerchair absolutely surrounded by close up butts and elbows. Cue an argument from Cart Lady. “But my dog needs these things and I have to protect my dog! When is the next bus!” (They come about every 5 minutes!) I assume there was a dog in the crate strapped at the bottom of the pile. No one likes to be passed up and I felt sympathetic but it was just impossible.

Then the kicker, she yelled, “BUT YOU LET WHEELCHAIRS ON THERE!! IT’S NOT FAIR” The entire front half of the bus groaned and rolled their eyes and me and the driver started laughing once he had pulled away.

“Look now, we’ve seen everything, if you have wheelchairs, you gotta also give equal rights to dogs!!”

“The thing is, I’m way more fun than a dog!”

Later on the ride the nice driver was telling stories of how he worked on all the Bay Area bridges in all weather and how cold it was but how beautiful.

I was also called “Sir” yesterday and “Buddy” “Pal” and “My man” today at random times so my nonbinary haircut must be doing its job.

What makes access amazing for you?

I was thinking about event accessibility today and events I’ve been to as a wheelchair user. There are bare minimums of accessibility that mean I can get in the door, and usually that’s what people mean when they tell me their space, or event, is wheelchair accessible. A level entrance, a lift or elevator, maybe some specially marked off seating area. But what makes it not just possible, but a good experience? A great, or amazing experience?

I can list some of those things that kick it up a notch!

Good information. Tell me about all the access needs you have considered, whether they come out accessible for me or not, or you were able to mitigate them or not! Just say it as part of the event announcement. It’s a great jumping off point for me to ask deeper questions.

Level entrance that doesn’t depend on a lift. This is about my feeling of security and confidence. Am I going to encounter one of those hellish, clanky lifts that is locked and no one knows where the key is? Is it going to be broken? Is it going to break while I’m in it and a restaurant full of people are staring at me?!

Spaciousness. There is room to move. I can go into a room, and then freely, without fuss or disruption, get out again! I can sit with my friends, whether they are wheelchair users or not. Tables are far apart. Aisles are wide and not blocked by audio visual equipment or people’s backpacks. More than one or two wheelchair users can be in this space and move around and feel FREE.

Bathroom access. This should be obvious but sadly isn’t. Can I get to a level entrance bathroom? Can I do it without going two buildings over and 9 floors up with a freight elevator in between? If not then I don’t even want to be at your event. Is the path to the bathroom clear or will I have to bulldoze my way down a twisting narrow hallway full of mop buckets?!

Community education and participation. The event organizers or hosts mention things like keeping aisles clear and the community understands the reasons for it!

Reachable food and drinks. It is a downer when there’s a gorgeous buffet for your event but it’s up on a weird little dais that has stairs, or it’s so high up I can’t see it from my wheelchair. Yes, people will help me and get my food but it just feels good to be able to independently browse and decide, at my own pace. I can deal with a bar counter height drink ordering experience, and that’s fine, but it’s always nice if there is a low area too and this becomes more important if you are inviting multiple wheelchair users to your event! Decrease the awkwardness by having some low height counter space.

Some seating for other people. It’s a good idea to have this anyway for walking people who get fatigued, but if you make sure there are at least some chairs, that are moveable, then it also means I can get into a space where I can talk to walkies without craning my neck for hours to look up at them.

Accessible presenter setup. Is there a stage? Am I a presenter? Might I be winning an award ? (I like to think so!) Then please make there be an accessible spot for a presenter, a podium or chair, a microphone, place for me to put a laptop and control slides, in a way that isn’t horrible or annoying. I have crawled on stages, I have been lifted onto stages, and I’ll do it but it’s not a great experience. Conference hotel wants to charge you 10K for ramp onto a stage? Maybe get creative with it and at least make there be a level, alternative presentation setup that doesn’t suck.

There’s probably more, but those are the top ones that come to mind!

Revolutionary hilarity

Lots of people coming over lately, which makes me happy! Tea and pastries on the back patio!

I went to an intense and strange poetry reading, or performance thing, at the East Bay Media Center in Berkeley. It was weird enough to have its own name: Iapetus. My friend Steve Arntson organized it, and true to his long-form genius it was set up to give us all a lot of time to explore words and sound. I had the feeling that everyone who came to it was ready for that and willing to hear anyone with the mic do something unusual, take us all on a trip.

Iapetus Berkeley flyer

Steve opened by reciting a 15 or 20 minute holographic poem on the theme of bones, full of natural history like no other poem about bones you’ve ever heard. He was fantastic. I had to just laugh with pleasure many times throughout. I got up next reading a couple of short things, my translation of Mariblanca Sabás Alomá’s Poema de la mujer aviadora que quiere atravesar el Atlántico, explaining first that I would shout whenever the poet busted into capital letters. It was well received. You can’t read out this poem without giggling and shaking your fist at the sky (if you are me). Then I read a couple of other short-ish things including my poem about Pat Nixon in China, a thing about time and memory and children, and a segment of my poem about Henry Ford (which I can’t seem to finish).

Liz iapetus

Highlights of the strange hours to follow: the guy on guitar doing quiet tone poems behind us, Dr. Hal in an australian bush hat endlessly reciting Dylan Thomas W.S. Merwin, and one I liked very much called Under the Vulture Tree by David Bottoms. (Even if it does suffer from the “hummmmm” problem at the end.) And a crapload of William Blake. Managing to infuse it with a hint of creepyness. Then Clara Hsu creating a meditative atmosphere with one of those tibetan bronze bowl thingies, singing the Langston Hughes poem about rain, more things about rain, a poem about Cuba, and a Bach prelude of words about being in a city which I wasn’t sure if I would like but in the end, felt like cheering at how she carried it off. A guy named Tom Stolmar rapid fire ranting with a lot of pop culture and a bitter aftertaste. Fragments of my notes: “Welcome to the endless high school reunion” Something something Morocco, almost went to Paul Bowles’ house, nose surgery, imploding tootsie roll Marky Mark toastmaster creamsicle”. I’m sure that was not all in the same poem. It’s a good sign when I laugh during your poem since if I were laughing in the way of hating it I would be more polite. I also now describe this guy as “the guy who says ‘horripilating'”. Mary Marcia who I remember from Waverly Writers at the Quaker Meeting house in Palo Alto got up and read a slow poem about a million kinds of birds then played on a thumb piano and a Harpo Mark horn. There was another point where someone got up and kind of beatboxed their way through Jimi Hendrix’s entire performance of the Star Spangled Banner complete with explosion sound effects which was slightly hard to tolerate but also amazing. Deborah Fruchey read some poems but my note-taking hand fell off by that point. Someone whose name I didn’t catch performed a long and very disturbing piece that was like a conversational fugue about dating and sex and abuse and rape and relationships. I liked it. And finally ToReadah performed a long piece angrily demanding answers from a “churchman” which she said she normally would not feel comfortable reading. I did not know most people at this reading, as I have not been going out in the past few years to any sort of literary events, just not enough time or energy. Maybe it’s time to put my toe back in the water.

It was not your average poetry reading! There will be a video of this event (I heard that when Steve gets back from Burning Man in October we will get a DVD). Why in October? Is he walking back from Nevada? I wouldn’t be surprised.

Meanwhile, in books, I read a great book by Danez Smith, Black Movie.

. . . . . This movie is about a neighborhood of royal folks —

children of slaves & immigrants & addicts & exiles — saving their town
from real-ass dinosaurs. I don’t want some cheesy yet progressive
Hmong sexy hot dude hero with a funny yet strong commanding
black girl buddy-cop film. This is not a vehicle for Will Smith
& Sofia Vergara. I want grandmas on the front porch taking out raptors

with guns they hid in walls & under mattresses. I want those little spitty,
screamy dinosaurs. I want Cicely Tyson to make a speech, maybe two.
I want Viola Davis to save the city in the last scene with a black fist afro pick
through the last dinosaur’s long, cold-blood neck. . . .

Good stuff!!! And an excellent book!

I also read Ho Chi Minh’s Prison Diary translated by Dang The Binh and with a forward by Phan Nhuan. Came across this because it was quoted in Huey P. Newton’s book Revolutionary Suicide. I was most struck by “Reading the ‘Anthology of a Thousand Poets'”, the one Newton quoted, and the poem about a milestone (which made me cry a little). While this is not my favorite translation style (rhyming, formalist), I read a few other translations online and got the flavor of what’s happening enough to enjoy the book very much. But possibly the best thing is that my cheap used copy ordered off Amazon was printed in Hanoi in 1972, with truly beautiful layout and typography and everything about the book design, including the art. (Drawings by Tran Van Can and Nguyen Do Cung. Jacket Design by Nguyen Tho. Printed at Tien Bo Press, Democratic Republic of Vietnam.) It is also inscribed in the front in Vietnamese to Robert Miller, dated 1975, and I can’t read the signature but would guess it may be signed by the translator. Now while Bob Miller is a common name I can’t think who would be in Hanoi in 1975 other than Robert L. Miller, illustrious author of “Encyclopedia of Cold War Espionage” and “Indochina and Vietnam: The Thirty-Five Year War”. Bob, I have your Ho Chi Minh book! Why’d you let it go?! And can you tell us the story of how you got it?

Editing Wikipedia 101 session from AdaCamp

After the Welcome and introduction and first session of AdaCamp in Portland I joined Netha Hussain and Rosie Stevenson to facilitate a session on editing Wikipedia. Everyon in the room introduced themselves and talked about their connection to open knowledge, information, and wikis. There were several people who had never edited Wikipedia.

We started by briefly describing what a wiki is. It is a collection of documents that are editable by multiple people; usually each page has a revision history and some transparency around who made specific edits. So, you can see who wrote which bits in a document with multiple authors. Often, a wiki page has words that are linked to other pages in the wiki. We accepted that we were mostly talking about Wikipedia here and acknowledged that “what wikis are” and their philosophy has a rich, interesting history.

Netha talked a bit about her work adding useful information from medical textbooks and journals which she started doing as a medical student.

Rosie jumped right in to an example of the kind of work she does; taking a biography of a notable woman who has a Wikipedia article in a language other than English, and creating an English language Wikipedia article about that woman. She had an example prepared. “I like that there’s a photo of her and she’s dead,” Rosie said enthusiastically. I chimed in with, “I *love* dead people!” We tried to explain why we love dead people. It is because editing the biographies of living persons is often a lot more contentious than writing about people who are not around to mind that you’re writing an encyclopedia article about them.

We paused to discuss what “notable” meant. There was not time to get into it, but Notability as defined by Wikipedia policies is an often contentious point, and often applied with gender and other biases. It is therefore important to try to establish the notablity of your subject, whether that’s a person or some other topic, by including good references that show they are important or significant.

Rosie’s example was Ángela Figuera Aymerich. She created an English language page for Figuera Aymerich. We all helped go over a brief tour of the page editing view. Rosie knows a little Spanish and uses Google Translate to read the source page. She made a very basic page with one sentence. We pointed out edit summary box where you can describe what you’ve just done.

Then we added a reference. Rosie did a search to find a book that talked about Figuera Aymerich and found one in Google Books. She used an online tool to format a nice looking Google Books citation for Wikipedia, then copied and pasted it into the edit page.

A new editor asked if it was ok or if it is considered rude to edit someone else’s sentences. Someone else explained it is not rude, but can take some tact. Often, men don’t pause to ask themselves that question, they just jump in and change things around. This is a good example of gender differences in the ways we begin engaging and the assumptions we make about interaction and collaboration.

This led us to do a quick tour of the article’s Talk page. Every article in Wikipedia has a “meta” page called hte Talk page, where people can discuss what might or should go into the article.

We then touched on adding images. Rosie advised always using images from Wikimedia Commons, because they will be licensed correctly for use in Wikipedia(s). If you have a properly licensed photo or image you want to use that isn’t there, you can go through the image upload wizard which will walk you through adding it to Wikimedia Commons. Then, use that version in your Wikipedia article. We did this all a bit too fast to follow.

There was some discussion of Categories, what they mean, how to search Wikipedia for articles similar to the one you are about to add, to see what categories it includes.

Categories that identify gender or other identity based information, such as “Women writers” or “Women writers from Bilbao” and so on, can be contentious topics. I talked a bit about how this is often exactly the sort of information I’m looking for that I consider valuable and important. But other editors or admins sometimes label this information as “sexist” or irrelevant, undoing important work.

Some of the new editors in the room wondered why anyone would be “a deletionist” so we discussed that a little bit.

It can be a good starting point to edit existing articles, either from a category like Articles needing cleanup or from some area of your own expertise, a book you’re reading, or something you’re learning about for which you have good sources that you can cite.

It was a good session! Several of us had lunch together and talked more about Rosie’s passion for translating articles from one language into another! She spoke very movingly about the politics of translation, especially as it is relevant to women’s history. If we don’t put this information online, it can more or less disappear from public awareness.

The Superfest Dissie Awards

I had a great time last night at the Dissie Awards, part of Superfest, a very long running disability community film festival! Lawrence Carter-Long MCed and presented 3 or 4 short clips for each category like Worst Portrayal of a Disabled Person by Non-Disabled Actor and The Worst Disabled Villain. It was nice to see a bunch of local community leaders get on stage to accept the awards — some of the fake acceptance speeches were hilarious! Audio Eyes did an outstanding job of funny, sarcastic description that felt like watching Rifftrax or Mystery Science Theater 3000 rather than a boring documentary narration. Would listen again. It was great.

Dissie acceptance speech

My favorite was definitely the “So Sweet” which was about cute little white girls sweetly helping disabled people so I got to give several hearty rounds of booing to Heidi and Pollyanna (who along with Katy from What Katy Did, take up way too much of my brain with their angel in the house internalized ableism).

The event started off with a cocktail hour which I missed and then Lawrence opened up with a charismatic speech about how we would discern, disrupt, display, and discover as we Dissed.

Lawrence MC-ing

I can’t remember all the nominations but I did tweet most of the award winners for posterity. The Worst Performance of Disability by a Non-disabled Actor Dissie went to the guy playing the blind old man in Young Frankenstein. Prof. Georgiana Kleege accepted the award. In the world of Young Frankenstein, apparently blind people cannot get anyone at all to come over and share their soup. So sad! It was lovely to feel the audience reaction all around me as we cheered and booed how bad all the performances were as they played off stereotypes and made disabled people the butt of humor. It was often a hard call which movie to boo the loudest for as the judges watched and listened to the crowd, because the spectrum of Hollywood badness was so vast!

Shirley Temple in Heidi as she teaches Klara how to walk and then ends up being more important to Klara’s family than she is, won out over Pollyanna. It was a very hard call for me. Was it worse for Heidi to be telling Klara she could walk if she just tried hard enough? Or worse that Pollyanna told her sick neighbor lady, the one disabled person in town, that she wouldn’t die if she wanted enough to live, and then stormed out in a huge ragequit? The deciding factor for me was that it was extra, extra horrible for Klara’s dad not to love her until she could walk! Christina Mills from the California Foundation for Independent Living Centers accepted the award pointedly remarking that ther are great organizations like California Youth Leadership Forum where Klara could hang out instead of being with that poisonous little brat Heidi.

Crowd for the Dissies

Joshua Miele then took the stage to accept the award for Worst Miracle for the actor playing the paralyzed guy in Monkey Shines. I think it was voted up because the movie’s badness outshone the actor’s bad portrayal! Personally I was rooting for Forrest Gump and the moment where his leg braces exploded off his legs as he ran like a world class athlete. But hey, we’re taking this super seriously, can you tell? Josh invited his alterego, or friend, Manny Zannasshole, to give a speech about his sensitive directing and producing of this miracle moment inspired by his knowledge of “the differently crippled, or whatever you people are called these days, people with crippledness” provoking a giant laugh from many of us in the audience.

Most Tragic was a painfully stupid display as we saw Clint Eastwood feel the terrible pain of the actor in Million Dollar Baby asking him to put her down like her family’s old dog because she could never be on TV again. Wow! It had to win for being most actually horrible and harmful to people’s lives. For me it is a matter of people telling me to my face that they think it is better to be dead than like me, that they would kill themselves, etc. But for many of us it is directly a life and death matter that threatens our survival as nurses caretakers or even family members decide to express their mercy or support a person’s suicidal thoughts instead of getting them help or fighting to change their situation and society at large. So Million Dollar Baby just had to win. Victor Pineda took the stage for the award and was super badass and funny as he told Clint Eastwood he might be better off dead than that ignorant and Hilary Swank’s character in the movie could totally have better friends if he would get out of her life. I’m paraphrasing but that was the gist of it.

Dr. Strangelove then beat out Mr. Glass from Unbreakable for Worst Villian. There are SO MANY. Strangelove has to win for popularity and for the thing that most people want to joke about when they want to joke about your wheelchair. But Mr. Glass was more truly the winner for his villainy being based on his internal bitterness over being disabled! Reverend Scott (?) went up on stage to take the award with his one black glove! You would almost think he had expected Dr. Strangelove to win. . . do I smell a fixed contest here?

Accepting the Worst Villain Dissie for Peter Sellers

The Crips Gone Wild category for buffoonish portrayals of disabled people causing havoc (AS WE DO) gave us clips from Other Sister, Radio, and Blind Dating. They were all horrible. Blind Dating with a very extended scene of the guy trying to fake that he wasn’t blind on a date in a restaurant. Comedy gold!??? Aaaaagh! Then the last category was “Hey, Only We Can Laugh At That” for truly bad comedy that is “Satirization without representation”. They were all awful and I have forgotten which one won because by that time it was quite late and I was tired.

My teenage son came with me to the Dissies. He enjoyed it a lot. He laughed his head off and I was happy to share some good political awareness and humor with him. He gets enough of it from me day to day just doing things like riding the bus. How nice that he knows it isn’t just me making my usual sarcastic muttering comments. He will grow up knowing quite a lot and being a good ally for others, as well as having gotten all the awesome wheelchair and scooter rides possible.

I hope this event happens again! Thanks to the Longmore Institute and the SF Lighthouse for sponsoring Superfest! I hope I can come out to more events and meet people — I often feel totally disconnected from whatever Bay Area disability activist communities are out there as I flounce around in my own little world. I have the community feeling and solidarity online but not in person and hope to connect more in the future. Anyway, if this happens next year I will wear a sparkley tuxedo and do it up in real movie award style !!

5 Minutes of Fame tonight!

Tonight at Noisebridge, our lightning talk event, 5 Minutes of Fame! I’ll be speaking at 5MoF about Bad Inventions, going back over at least 20 years of my own horrible inventions, some of which came to fruition and some which have not (YET).

As if you needed ANY reminder, Five Minutes of Fame is Noisebridge’s ADD
show-and-tell, squashing octets of human awesomeness into an hour like
booleans in a packed byte.

This week’s seasonal supercompression will include, among others, barring ill fortune, but by no means limited to the following:

* The Internet’S IO9.COM’S ANNALEE NEWITZ on how to apocalypse-proof your city
* Roving cartographer and open wireless fiend SCHUYLER ERLE on galactic empire
* The Center for Applied Rationality’s JULIA GALEF
* The Amazing Inventions of LIZ HENRY
* The Battle for OMNIPOTENCE. Who will win? WOOL, MUSHROOMS, or HEMP?

Join us as we untar the future! Pkunzip the past! Huffman decode your mind!

Thurs, Dec 20, 8PM, Noisebridge, 2169 Mission St, SF, CA, Earth Prime

You can submit talks through the wiki page for future events or MAYBE even for tonight’s talks.

Five Minutes of Antichrist

On my way to BlogHer '11

I’m leaving this morning for the BlogHer conference in San Diego! I think this year’s BlogHer conference is going to be about 3000 people, our biggest ever. On our site I wrote up a quick round-up of mobile apps you might want at a conference as well as a brief explanation of securing your wireless connections with a VPN service — a “geeky conference prep” post. BlogHer also has a useful mobile app for the conference itself with maps of the convention center, the speakers and sessions, and the capability for people to build a schedule for themselves.

At this conference I’m moderating a panel on what happens when your blog goes viral, with Ashleigh Burroughs of The Burrow, a blogger who was shot by Jared Loughner in Arizona; and Nerdy Apple Bottom who suddenly was the subject of intense media coverage for her post on her son’s Halloween costume when he dressed up as Daphne from Scooby Doo. Both bloggers’ real names were revealed as a result of their sudden fame and they got thousands and thousands of comments and emails; months later they’re still fielding the effects.

I’m also running a Geek Bar session on “Internet Sleuthing” and another, with Skye Kilaen, on recovery from “Blog Disasters” — what to do if your blog goes down or is hacked, how to prepare to recover your data and rebuild your site. For the Sleuthing session I’ll talk about how to track people down and why you might need or want to do that as a blogger. The Geek Bar sessions are 15 minute workshops in small groups, repeated over a 1.5 hour time slot and I expect to give a mini-talk and then open it to hands on work and group discussion. It should be an interesting format and I think will also result in good social contact for the 5 people in each mini-workshop session, who will get to know each other in the process!

This year’s “disaster recovery” Geek Bar talk will be a good continuation of my longer talk last year, Fight Spam and Hackers! which was basically computer security 101 for BlogHer’s community of women who are very heavy users of social media and blogs and who are running their own sites but who may not have had the cultural background in geekery to have ever thought about how to crack a password. I brought up issues of privacy and anonymity, a subject that we talk about quite a lot as bloggers and as women, and tried to frame them in the context of our gender.

At BlogHer DC and Boston in 2008 I was on a panel called Blogging Basics: 6 steps to personalize, polish, and promote your blog which was a concrete list of ways to improve your blog. I still have people come up to me and tell me that they use the tips we gave in this talk! Especially the suggestion to print out your php code and css, and mark it up with a highlighter and notes in order to figure out what it’s doing and demystify it. In DC and Boston we also had a sort of Geek Lounge area set up for people to do hands-on work with their blogs in an informal setting; Sarah Dopp and I ran around the room talking people through tech support issues and usually everyone at a table would start to help each other out and collectively would know much more than they realized they did.

At these “geek” tracks it ends up being a mix of the more programmer or web dev types of BlogHer attendees and people who want to learn that stuff. The track is kind of a mini-She’s Geeky and leads to fabulous “hallway conversations” every year. The conference itself is amazingly lively and vibrant, with around 60-80% of attendees *and speakers* new to the conference and a very high percentage at their first tech conference ever. The conference tickets are cheap because we are highly and I mean *highly* sponsored by companies, with a huge expo hall of sponsor booths and all sorts of weird swag and contests and parties and sometimes individual people wandering around handing out bags of stuff. I think it was the year we were in Chicago that I came back with a pink Swarovski crystal covered Bluetooth headset, a vibrator, and a waffle iron in addition to Free Samples of about 5 kinds of detergent, snack food, retractable usb cables, flash drives, and I don’t even know what else. Everyone is kind of overwhelmed by the rush of women who are pair-bonded with their laptops and the joy of meeting people who you’ve read online for years especially when you find they are even more interesting in person. For myself I also really enjoy seeing the range of expertise people have and what kickass speakers they are — and wonder, are other conferences looking at our speaker list and using us as a resource to diversify their own talks and panels? I’m sure that happens to some extent but it should happen more.

I meant to write up a retrospective of my experiences at each of the BlogHer conferences but that will have to wait for another post! Meanwhile, enjoy this cute photo of me and my sister at BlogHer in 2006. That year we were inspired by the many online discussions of What To Wear to BlogHer especially to the big central party. In a sort of protest against worrying so much about what to wear anywhere, we wore ball gowns to the party and pretended to have a drama filled argument at the edge of the pool and then pushed each other in.

liz

Anyway, I look forward to another fantastic conference and am going to drive down to San Diego the long way, down Highway 1 and 101!