A Catte

I spent the day puttering around the house and reading. I’m on book 3 of an endless series of historical fiction by Cynthia Harrod-Eagles, who has an amazing-sounding name and a love of describing angst and drama that spans many generations. Book 1 started out in the 14th century during the Wars of the Roses. Book 2 was mostly Henry VIII. And Book 3 is mostly Queen Elizabeth, well, not mostly about her but the family the books are about, the fictional Morlands from … somewhere near York, I think, are sometimes at court. So it’s against a backdrop of Queen Elizabeth and Mary Queen of Scots and so on.

This has led me to lots of Wikipedia reading – like I wanted to know all about the guy who married Mary Queen of Scots and his unhappy ending (syphillis maybe but also murdered and THEN blown up as well by some barrels of gunpowder) and then the unhappy ending of the other guy who married her (maybe abducted and raped her, then married her?) (thrown in prison but I’ve forgotten the exact events – but he was chained to a column in a Dutch prison for 10 years and died there.)

These gruesome deaths led me, though, to strike gold:
Mary Queen of Scots’ embroidered badge of a ginger cat wearing a crown playing with a mouse, embellished with her initials MA intertwined to look like a rune. Maybe the cat was her cousin Elizabeth and she was the mouse!

a-catte

Whatever it may have meant, it’s delightful!!! I think it would make a really neat replica embroidered badge! Someone should get it manufactured and sell them on Etsy!

The books can be a little traumatic (I was squicked by the amount of 14 year olds who marry old guys) and there is like, constant weird incest and trauma, and children who are super charming and beloved and then DIE DIE DIE or maybe everyone dies, and I got really sad about Anne Boleyn, but they aren’t like “The Kingdom of Little Wounds” level of trauma and that has got to be the #1 gross book ever for its multiple times we get a syphilitic Queen’s very public ob/gyn exams described; keep in mind I absolutely love that book but I have to warn people when I recommend it that it goes deep.) I continue reading them since I am very curious how Harrod-Eagles is going to sustain this strange family all the way into World War II. I’m also admiring the volume of her output, I mean, from her Wikipedia page it sounds like she works full time and writes these doorstop epic novels on the weekend and there are like, 30 of them. So impressive. Anyway, I am getting just slightly INTO the vibe of these books. Is there someone sympathetic? Is there someone they absolutely shouldn’t shack up with, like, their secret half brother or their actual uncle or their husband’s brother or a hoydenish Scottish girl who rides into battle and hates men, or, their paralyzed and sickly first cousin, or like, a travelling homosexual actor or a bloodthirsty Earl who may have murdered his first and second wives? In Morland logic this is like catnip to a catte. The more inappropriate the match the faster they freaking leap into bed, get INSTA-PREGNANT and then their children and grandchildren accidentally do it all over again.

Meanwhile, a list of things I have glued today: my thumb to danny’s glasses frame; the glasses frame to itself; a large flowerpot in 6 pieces; a small bone china horse. I had to soak my thumb and the glasses in nail polish remover for several minutes before I was able to scrape my thumb free of the glasses with a knife.

Visit to the SF Lighthouse

As part of the CripTech symposium I went along on a tour of the Lighthouse for the Blind and Visually Impaired a couple of weeks ago. Chris Downey, an architect who is on their Board of Directors, kindly gave us the tour and the benefit of his insight into the architectural design of the space.

The lobby was designed to feel welcoming to people who might be coming to the Lighthouse for the first time, or really for anyone. It’s a spacious central space in the complex, connecting through a large, open, glass walled stairwell to the floors above and below. It’s possible to hear people talking or laughing from other areas so you are aware of social activity nearby in the space. I was really impressed with the auditory environment, as I really could feel the warmth of “other people are here” without it being distracting or echoing in any way. The walls were lined in some kind of sound baffle type of felt (I think) with a design of wooden slats overlaid that affect the acoustics of the space and are also quite beautiful.

After being there all morning, the street and then the food court we had lunch in were noticeably inhospitable in their acoustics. I realized I felt more relaxed and able to focus while we were on the tour of the building.

There is plenty of natural light, and also bright but not overwhelming overhead lights in long strips going north to south for extra orientation cues for partially sighted people. There were also interesting “light walls” with big glowing panels, and sliding controls which anyone can adjust to play with the color of the light.

stairwell with wall of windows

The flooring is set up so that there are navigable edges for shorelining through the hallways. Travel paths are polished concrete, and seating or other areas are carpeted with metal edges to give more information to cane users about navigating the space. The stairs have distinctive kinds of wood (I think different at the landings so that there is a different sound from a cane tap) and bright but not overly reflective metal edges for high contrast (again, good for people with partial vision).

One especially beautiful touch – the handrails around the stairwell were the softest, silkiest wood with an unusual and nice-feeling shape, slightly concave on the side facing the travel path, and then curved in a slightly irregular way – not a half-circle or half-oval but a more organic feeling shape to fit a hand. If you visit, don’t miss feeling the handrails.

Here’s a picture of Chris demonstrating another thoughtful and elegant touch: the reception area countertops have subtle niches in the edge of the counter to allow a white cane to rest there without slipping to the floor. The photo also shows the wooden acoustic slats that line the wall and the thin metal boundary between concrete travel pathway and carpeted reception area.

Chris Downey

We saw the event rooms, training kitchen, science lab which I think is for making things and doing electronics or computer workshops, and a little maker space with large braille embossing printers and 3-D printers. The art all around the space was really neat, a lot of it from the collection of Donald Sirkin, the guy who left over 100 million dollars to the Lighthouse in his will. There was also a memorial wall talking about Sirkin and his life. (On my to-do list: write a Wikipedia page for Sirkin.)

As a wheelchair user I also noticed the spacious design, since there were several wheelchair users along on the tour we would get into a few narrow hallways, but each time that happened and there was a sort of bottleneck, I was able to go around the circumference of that section of the building and circle back to the “front” of the tour. There were points at each end and at the middle of the building on each floor where the hallways opened up to wider spaces so there were opportunities to regroup and the space didn’t feel claustrophobic. I appreciate not feeling trapped and being able to move freely around a space!

A few years ago I wrote a short text adventure for an unconference space, along with obtaining a tactile map of the interior of the building. It was a simple hack job to give the layout of the rooms. I started thinking through ways to make a much better one for the Lighthouse. So, a textual game where you can walk through a space and develop a feel for its geography and layout. To be done well, this should integrate a holistic impression of the different spaces and how they can be traversed or explored, rather than some straight “visual description” information it would need to include the ways that a space can be experienced by someone blind or with partial vision.

Playing with similar ideas a bit in Inform7, in writing “room” descriptions from the point of view of a wheelchair user, which for me, includes not just an awareness of slopes but of the feel of surfaces and whether they are pleasant (marble is amazing) or jarring (literally). One or two words can indicate that “you” the reader are wheeled. I think that can have an interesting effect on game play. For the Lighthouse, I might try just describing the lobby and a couple of connected rooms as an experiment. Since I am not blind or vision impaired I would need to pair up with someone or do lots of interviewing folks to do this project well if I did it for real! My 4-room experiment of being in a sort of fantasy world game setting, on wheels, gave me a little shiver of recognition to play through, even though I had just written it myself and it was not a surprise be in a garden and then to see the words “You roll into the gazebo.” Yet it was still a surprise, a pleasantly non-alienating one. Is there a word for de-alienating in a healing way, that makes you realize the ways you are alienated (from yourself or from participation or acknowledgement) in default representations? It made me think that representing “you” the player of interactive fiction as disabled along different axes (as living and experiencing reality in particular ways) could be a really powerful game.

Thanks again to Chris and to the Lighthouse and to Karen Nakamura who invited me to CripTech! I particularly enjoyed the tour and am still thinking hard about aesthetics and universal design & how our concept of whose experiences are important affect design & engineering decisions. A beautiful example of technology in action to make a pleasant and functional environment. If we do get a San Francisco Disability Cultural Center someday, I hope it will take the example of the Lighthouse and follow their lead!

In which I rant about a minorly negative random encounter

Don’t be this weird hostile bus stop lady….

I was going to the bus stop yesterday, on a wide sidewalk on Mission, and I passed a couple who were standing by the bus stop bench about to sit down. I was hugging the wall by the pizza place and nail shop and about to turn to wait for the bus just a little ways down from the bus bench. So, I was something like 8-10 feet away from the couple.

The woman looked up as I passed and said “OH!!! Sorry!!!! I didn’t see you!” and kind of mimed as if she were getting out of my way. This was weird, since she wasn’t in my way, I wasn’t in her way, and there was nothing indicating that I was about to be anywhere near them.

“Uh…” I said, super coherently. “Well, I saw you, so, ok.”

Then I waited for the bus without anything further happening but I could see her weird discomfort. She was still bothered. She kept looking at me and kind of acting agitated. Her “Sorry!” was actually not a sorry but was more like a hostile accusation as if I had done something wrong and actually I was supposed to apologize.

This happens all the time (basically a microaggression). Like what happens when someone exaggeratedly holds a door open for me, and I don’t want them to, and I have to ask them to move out of the way because they think they’re holding the door open but they are literally blocking my path through the doorway and I don’t want to run them over. Or even if i can get by, I don’t want to put my face in their armpit.

People doing this kind of thing aren’t helping — they get angry if you don’t respond “correctly”, and then it becomes clear that they started out angry with their bogus offer of help. They are full of resentment and are uncomfortable with my presence and they want me to behave in a way that is apologizing for my presence.

Once you’ve experienced this multiple times a day every day, as you are just minding your own business, you will know what I mean.

And, actually, I’m not always so proud, I often act in a placating manner to make other people comfortable, especially in a crowd, while waiting in line, on the bus, and so on, because honestly it just makes thing easier. For example I normally feel like I am “supposed to” thank the bus driver at least 6 times while getting on and off the damn bus, once at every stage of the interaction like, they see me and start to lower the ramp or lift, they then offer help of various kinds or do stuff, or they give me unneeded (bad) advice or warnings, and I have to acknowledge it and I try to be polite. Probably, y’all get on and off a bus with maybe one “thanks” if you exit at the front but that is not my experience.

So, back to our story.

Time passes. I sit at the front of the bus playing Pokémon, and everything is remarkably peaceful for a middle of the day ride on the 49 bus. The driver remembers I’m there and also, I remembered to push the “ramp please” button well ahead of time and there is only one guy in front of me who is kind of trapped and has to get off the bus to let me off by the ramp, but the driver still yelled at the top of her lungs, “WHEELCHAIR COMING OFF WATCH YOUR FEET I SAID WHEEEEEEEEELCHAIR COMING OFF” I thanked the driver and said have a nice day. While the yelling is often unnecessary and unpleasant it does get the job done. The thing is I can say “excuse me” or “con permiso” myself to the people who I need to get by who are usually looking right at me anyway and can tell I am intending to get off the bus and can see perfectly well what needs to happen.

OK so, now I’m off the bus and it’s an even wider sidewalk than on Mission where I started. The sidewalk is at least 15 feet across. I suddenly realize that same couple who were at the bus stop with me had gotten off at the back of the bus and were on the sidewalk, again near the curb while I was on the far right side of the sidewalk by the buildings. The woman fidgeted around (not sure how to describe this – but it’s like someone doing a lot of “pay attention to me!” body language like they are about to speak to you – as if awkwardly trying to get the attention of a waiter including being frustrated at not already having that attention). And she did a little laugh and said “Oh!!!! I’ll TRY not to get in your WAY this time!!” and mimed “getting out of my way” again even though I was nowhere near her and not aimed anywhere near her.

It was so irritating!

I said “You weren’t in my way before and you’re not in my way now” and stared at her with what was probably the rudest face possible of incredulousness as if a cartoon though balloon that said “You’re an idiot” was floating over my head.

“Gaaaaah! I was JUST JOKING!” she said huffily…. making a little scoffing noise. Her husband stood there looking awkward and probably wishing he could sink into the ground with embarrassment.

I did not behave with the proper level of humility for this beeyatch to accept my presence on the public sidewalk!

I beetled uphill at a goodly clip, my maximum 5 miles per hour, wishing I were a goddamn rocketship to get away from this rude person even faster!

Lady… Let me just be clear…. Madam Fussypants, stick-up-your-butt, REI-clothing-wearing-probably-a-unitarian-white-lady-who-loves-calling-the-cops lady from my neighborhood…..I can snap judge you too! (Thusly.) I dunno what your deal is but you want me to perform some sort of role here for you that I am unwilling to perform!

I am notorious for chatting in a friendly way with total strangers on the street but she was such a jerkface that instead she got my “fuck off” attitude and nearly got me to stop dead in my tracks and pop off in an enormous harangue that would not have helped her obvious feeling of discomfort with my MERE PRESENCE IN THE PUBLIC WORLD.

Whatever demon she is wrestling with, whatever fear of disability…. I wish she would go deal with it in therapy and stop letting it hang out all over the sidewalk. I can’t be the only wheelchair user she ever sees in this town especially if she takes the goddamn 49 bus! What is her problem!

As my mom would say… Some people just need a good slap!

OK, so, all of y’all, don’t do this shit, it’s ridiculous!

Thanks for coming to my TED talk.

Celebrating The Winter Sewerstice

Yes! It’s that time of year, the rainy season in San Francisco, when you should run out and Adopt a Drain! Pick a convenient drain near your home from the map, and commit to clear the leaves from it every once in a while so that no one will get flooded on that corner or have to wade through a gross, trashy, leafy pond at the curb during a rainstorm.

I had no real reason to do this but went downtown anyway out of curiosity to the parking garage of the SF Public Utilities Commission where I was given nice leather work gloves, a sturdy dustpan, my choice of brooms (I took the small one which I could strap onto the back of my wheelchair), and a yellow utility vest.

Inspired by the cameraman asking me questions about the Mighty Civic Feelings that led me to adopt a drain, I decided to name my drain at Mission and Cortland “Drainy McDrainface”. I also mentioned liking open data projects and reporting problems with sidewalks, streets, and intersections through 311.

Every time it’s about to rain significantly, the city sends me an email reminding me to check my adopted corner! I go out and give it a poke! From my friends’ feedback on Facebook it sounds like Oakland, Belmont, and Redwood City, and likely other towns in the Bay Area have similar programs.

I was sort of hoping they would let me drive a street sweeper, or give us all an informative tour of the SFPUC building and a certificate of Drain Adoption with a gold seal on it but…. alas, no. Maybe next time!

So what should the holiday name be for this event? Drainukkah? Sewermas? Winter Sewerstice?

Funked up with the mothership

I had a fabulous time at the George Clinton/ Parliament Funkadelic show last night! The club had a wheelchair seating area right up at the front which made it easier for me to be there (and I could also get to the bathroom, which I really appreciated). FABULOUS show, as you would expect!
george clinton on stage
It was great hearing classics, where everyone would get very excited screaming Shit, Goddamn, get off your ass and jam, or One nation under a groove, but also was in the perfect frame of mind for Maggotbrain (a religious experience for your ears) and then lots of stuff from their most recent album. It is just great to see how they all jam together so well & in so many different styles highlighting the skills of different people. I wish I knew all their names but I don’t… the amazing singer and dancer who kept changing outfits (it was the pink fuzzy pajamas with silver stars, and a hood, and silver platform shoes that killed me finally, and then she took off the PJs and was dancing in striped knee high socks and sexy underwear.)

singer for p-funk

The incredible saxophone solos (he also did a scat performance that got more and more complicated and went on forever till he just sort of BECAME an instrument ! Trumpet player also great! At least two guitarists of truly amazing caliber, the shorter guy who was an absolute badass, and the tall guy with the long braids wearing a long silver coat which he finally removed to show his fishnets and thong and tshirt that said “God’s Weapon”. Both were fucking great! And, George Clinton himself who I was happy to see had the good sense to sit down now and then. The young (?) guy in the hat who was an excellent rapper! So many talented musicians. And when they would really go off it wasn’t for like 20 seconds, they weren’t fucking around, they were playing giant long extended riffs for like 10 minutes. Serious jazz! Also some extremely metal moments! Also psychedelic geologic eras laid down for future generations and time travelers!

Crowd fairly nice! We ran into Brian Zisk and I remember being high as hell while trying to explain to him (why? just enthusiasm i guess) that Venezuelan joropo is the best kind of music (because, counterpoint, great structure, complex & awesome) & he should give it a listen. He was telling me about the sort of cultural shift of deadheads to follow George Clinton & the P-funk collective in general, which maybe he had something to do with. That was very interesting and I’m still thinking about that.

Anyway, I loved the show so much!

Thank you intergalactic brothers and sisters!

A nice streak of activity and social stuff

Continuing my trend of feeling frisky and getting out of the house – in the last few days I went to a party with friends I haven’t seen in a long time (a white elephant xmas party), another fairly mellow get together in some guy’s warehouse with people I don’t really know at all, which was interesting, and another (birthday) party right down the street where I got everyone to try my new powerchair in the bar.

And went to Ada’s choir concert on top of that. They sang a song by Pentatonix, and something Beatles-ish, and then a jazzed up Little Drummer Boy, which I correctly flagged as resulting from Ada’s evil influence, deliberately pranking us all to make us lose the Little Drummer Boy challenge. The high school mariachi bands (year one and year 2) were also excellent!

It’s so nice to have both kids here at once for a few days with Milo back from university – they are so lively – Our tiny house is just packed full right now – I’m enjoying this time with them. Today I’m hoping to geek out on Inform7 with Milo.

My knees and ankles are a little trashed probably from the party going (stairs!) But I am icing them and resting up today.

And then I have tickets to go see George Clinton & Parliament!!!!!! OMG!!!!!!

Messing with Inform7 today

Thinking about this because I started showing Inform7 to my son. Inform7 is very elegant game programming language and interactive development environment. I recommend it! I think he will be teaching me some Unity in return…

Years ago I did a lot of coding for a MUD, a text based multiplayer interactive fiction game. After playing lots of MUDs, MUSHes and MOOs through the 90s I am not quite sure when I started coding but seems like late 90s, mostly for a MUD called Arcane Nites. It was fun being an “immortal”, helping new players and acting as a game moderator to resolve disputes and stop abusive or spammy behavior, often along with another immortal, an enormous macho giant named Stomp, who I only later realized was a woman older than me, old enough to be a grandma. Also later I heard from players who were like, 12 year olds at the time (which explains the frequent need for moderation). (Hi, y’all!)
In fact, I wrote a lot of code while pregnant or while actually wearing my son in a front carrier. Gaming is truly in his blood!
I remember working on some kind of in-game messaging or bulletin board system; little projects like expanding the “socials”, actions you could take in game, and having great time writing them to look properly grammatical depending on whether you were doing the action, seeing the action, or experiencing the action on yourself. I wrote code to made liquid containers behave properly with different liquids, and I think I got obsessed for a while with adding other physical properties to objects but don’t remember much of that.
But, the main fun of MUDs for me was writing new areas of the game. I’ve talked about this before but I wrote one based on the Chinese classic, Hong Lou Meng, translated a few different ways, “Story of the Stone” or “Dream of the Red Chamber” or “Dream of Red Mansions”. I had three different translations of it, drawing up elaborate character lists, geneologies, and so on to keep track of the different names of characters across the translations. In my version, you could walk around a small part of the town and the two houses of the Jia (or Chia) clan and the extensive gardens behind the houses. There were supernatural elements – you could end up in realm of the Stone itself, and there was also a dreamlike, kind of racy cave sequence where you traveled in time, or something, and ended up finding Hsi-men Ching and Golden Lotus from Jin Ping Mei.

Anyway, today I went looking for these files and started converting my version of the Battle of Kurukshetra from the Mahabharata into Inform7. I don’t have a good key to the old game data files so I am having to figure out a lot of weird data! It’s fun. If I can do this successfully then I’ll put the areas up as standalone playable interactive fiction. Since in the MUDs they were written for, the “point” was not just to explore, but to kill everything and loot its corpse, taking equipment and wearing it, and so on, I will have to either figure out some different experience (perhaps a more wholesome one of puzzle or mystery solving) or write a battle system for Inform7. Or, I may just release them as areas to wander and explore. Most of the point was absorbing the atmosphere, really.

Fiction about kids who write poetry

Found this in my old drafts folder from …. well, more than 10 years ago! I clearly meant to expand on these thoughts with examples from the books but never got it together. Fun anyway though!

>>>>>

I re-read The Boyhood of Grace Jones the other day and loved it for its mid 20th century genderqueer “tomboy” protagonist, but most of all for her surety that she could choose and make herself. All the kids and adults around her were clueless, insisting that there was a binary choice between heredity and environment – every aspect of a person was controlled by those factors. Grace Jones insisted there was another thing everyone had inside that let them create themselves how they wanted to be! I loved that.

I owe several posts on ETech and SXSWi and SexTech, but I’m going to write about this first!

Grace Jones goes through a lot, but her most intense realization comes when she writes a couple of poems and then doesn’t know what to do next. She is stunned by the realization that these big ideas were in her and she was able to put them out. Then what! Children don’t have much outlet for big ideas or poetry. I found myself contrasting Grace’s, and Anastasia Krupnik’s, fictional-character poems with the ones from girls’ books from earlier generations, like Rebecca of Sunnybrook Farm’s poem she gives to Mr. Ladd (Spoiler: she grows up and marries him.) It is very twee and is sort of about God, and she breathlessly awaits his judgment of whether she could be a “real writer” someday. That happens a lot in girls’ books, doesn’t it?

Note from 2018: Not sure I was remembering this correctly – Rebecca shows her poem to Miss Maxwell first –

This ingenuous remark confirmed Miss Maxwell’s opinion of Rebecca as a girl who could hear the truth and profit by it.

“Well, my child,” she said smilingly, “your friends were wrong and you were right; judged by the proper tests, they are pretty bad.”

“Then I must give up all hope of ever being a writer!” sighed Rebecca, who was tasting the bitterness of hemlock and wondering if she could keep the tears back until the interview was over.

“Don’t go so fast,” interrupted Miss Maxwell. “Though they don’t amount to anything as poetry, they show a good deal of promise in certain directions. You almost never make a mistake in rhyme or metre, and this shows you have a natural sense of what is right; a ‘sense of form,’ poets would call it. When you grow older, have a little more experience,—in fact, when you have something to say, I think you may write very good verses. Poetry needs knowledge and vision, experience and imagination, Rebecca. You have not the first three yet, but I rather think you have a touch of the last.”

“Must I never try any more poetry, not even to amuse myself?”

“Certainly you may; it will only help you to write better prose.

I could only find this bit of Rebecca’s poem:

Then come what will of weal or woe
(Since all gold hath alloy),
Thou ‘lt bloom unwithered in this heart,
My Rose of Joy!

Maybe the scene with Mr. Ladd is in the sequel, which I also remember being mostly about Rebecca agonizing about whether she could ever be a “real writer”.

Laura Ingalls’ poem, on a more frivolous note, but one that shows Laura’s realization of the dangers of verse composition for a popular audience:

Going to school is lots of fun,
From laughing we have gained a ton,
We laugh until we have a pain,
At Lazy, Lousy, Lizy Jane.

I don’t have Grace Jones’s poems handy but remember her reciting Kubla Khan to herself.

Remembering Louise Fitzhugh’s wonderful character, Harriet the Spy’s poem experience as she goes through every letter of the alphabet trying to find words to rhyme with “pain”. Her thought process during this poem was just amazing to me (when I was a kid who thought similarly) and I love her.

And finally, Anastasia Krupnik’s poem. (Which I also don’t have handy but which I recall being in all lower case and about undersea creatures and just a little embarrassing, but good)

Anastasia notably falls off the top of the rope climbing thing in gym class & breaks her arm while triumphantly reciting a poem by Edna St. Vincent Millay. (O world! I could not hold thee close enough!) Her dad is a poet and professor and a kind of cool, dorky dude. We get an updated version of the old scene of a nervous girl clutching sheaf of poems to her chest as she hands them to the newspaper editor. Anastasia explains to him in outrage how she practiced her poem and read it very fancily to her class and teacher, who didn’t get it. He’s supportive and proud! But the best thing about the scene is that Anastasia is already sure that she did something amazing.

I think it is interesting to consider poetics, and writing, as an important point of resistance to patriarchy, especially for young girls and women. There are just a zillion other examples of women writing about young girls and young women who are trying out being a writer, and what other people tell them, and how they react…. Surely there are also a ton of academic papers about this!

New book & a nice day

New book, The Founding by Cynthia Harrod-Eagles (cool name!), the first in a truly enormous series of historical novels starting during the Wars of the Roses. I was sold on the intro which is a huge bibliography of sources for her historical research.

Today, very intense work day again, but then I went out and bought a tiny Christmas tree, back at work again, then out to work at a cafe with visiting friends, more errands (post office, to mail my contribution to an APAzine, etc), more work, wrapping christmas presents (still a huge mess all over the living room floor) and out to sushi, which was excellent. (Ichi Sushi, best in San Francisco!) You should definitely have the ocean trout. We bought beers for the sushi chefs and toasted them, it was so amazing. Also nice, other friends just kept seeing us through the window and then coming in to hug us. !!! Now that’s living.

It’s fun to be in an APAzine – I’ve always thought it sounded so neat and old school. I want to do it better justice than a sort of diary entry so I will be thinking about that for the next go-round.

After all this I am too tired to say anything super meaningful. I’m so happy to have this enormous book series to read over the holidays!

Low key neighborhood day

I am reading Kintu by Jennifer Nansubuga Makumbi and I highly recommend it! It’s an epic novel about a family in Uganda over a 300-year time span. Here’s a review of Kintu in the NY Review of Books. But take it from me this is a fabulous book. My favorite sort of long, complicated novel with multiple dimensions, that really creates a holographic body of knowledge you would not otherwise have a way to express or learn, through stories of chance and causality over many generations.

My day was a usual Wednesday; I woke up around 7, had coffee, sat in front of my special winter daylight lamp doing Duolingo practices, read for a while, then to work, meetings, more work, more meetings. At 10am I went off to the neighborhood center for senior tai chi class (free!) where I’ve been going for the last couple of years. It turned out that later in the afternoon there was a holiday party & choir performance, so after some more work and one of the amazing, tasty vegan salads I get delivered from Thistle, I went back up the hill to the party. It’s a good thing I dressed up for it because most everyone was dressed to kill!

The choir sang a Chinese tune (in English, but in what sounded to me like the Chinese scale) that was quoting Confucius (When there is harmony in the house, there is order in the nation, etc), a Hanukkah song in Ladino (Ocho Candelitas), When I’m 64 (but they sang 94 instead) and a Grateful Dead song to round out our cultural tour (as the conductor commented, he felt that it was important to represent that aspect of San Francisco cultural diversity). I was in the back of the room next to a lady with an adorable baby who was doing baby sign language. Saw several of my friends from tai chi (Gerry, Violeta, Anastasia, and others) but it was a big crowd and I could not get to the cookies or the potluck food…. alas. I discovered though during the Silent Night singalong (audience sings regular version, choir sang some sort of counterpoint) that I can still sing the alto part and my voice is not horrible (Also not great). Thanks, years of choir.

I sent a short clip of the Grateful Dead song to my son, who last year took a college class that was just about the Grateful Dead, taught by the archivist at UC Santa Cruz of their archives, and by the end of that class he appreciated them but was also kind of tortured by Too Much Dead, All The Time and having to study very hard to be able to identify different songs and versions of the songs BY YEAR. Anyway, I trolled my son by sending him this video clip.

Then back home in a leisurely fashion, catching Pokémon and hacking Ingress portals all the way down the hill, back to work and providing a useful, warm platform for the cat.

I will likely finish Kintu before bed and start something else!