Jenifa taught me

While researching my family tree I have come across some interesting characters. From just a few records over the years, I try to construct a picture of someone’s life two hundred years ago. I look up the siblings, look up the neighbors, speculate, write emails to random 4th cousins, and bring it all together with solid sources.

My grandmother Esther’s parents emigrated as teenagers with their parents and siblings around 1911, all from a very specific area of Lancashire. I’ve done some work researching each branch of her family.

Here’s a chart that shows an overview of the people I’m going to write about in my next few posts.

tree showing esther's parents and grandparents

Here’s as much as I can tell about Jenny Cumpsty, one of my 4th great-grandmothers, and her daughter Jennet, tracing them and their descendents down to people in living memory. They’re the great-grandmother & grandmother of Caroline Crane from the chart above.

From studying Jenny’s family a bit further back and further onwards, it’s clear she was right on the cusp of the family’s transition from a life of agricultural labor, out in the sticks, to one of industrial work centered around growing urban areas.

For many generations, this branch of the family lived in The Fylde – an area just north of Preston, east of Blackpool, and west of Garstang – This is north of what is now Greater Manchester, south of Morecambe Bay. The land is mostly a peat bog, a lot of it below sea level.

old map of the fylde

relief map of The Fylde

Most of this branch of family were from Pilling and Stalmine. There was not even a road to Pilling until 1806. Just to set the scene, let’s read a bit about the famous Bog Burst of 1745 and the general feeling of this area of The Fylde, north of the Wyre River — Cockerham Moss.

The Pilling Moss Bog Burst of 1745 involved the eruption of the raised mire now known as Rawcliffe Moss, following a period of exceptional rain, but was probably also due to human activity, both from long-term peat-digging and also because of more recent land drainage and improvement for agriculture. More than 40 hectares of farmland were inundated, in places covered in peat up to five metres deep. Property was damaged, but no casualties were reported. Enclosure and drainage after 1830 have ensured that nothing similar can happen again.

The mosses, mosslands or raised mires of lowland Lancashire have always been a noteworthy aspect of the local landscape, in the literature often carrying more than a hint of menace. Thus William Camden [in 1637] wrote of the presence in Lancashire of ‘certaine moist places and unwholsome called Mosses’
– from The Pilling Moss Bog Burst of 1745, William D. Shannon, Contrebis 2018 v36.

Charles de Rance, a geologist, reported in the 1870s that a local proverb said, ‘Pilling Moss, like God’s grace, is boundless’. He adds, ‘this area is very thinly inhabited, and those who live in the area are, I am informed, often subject to idiotcy and rheumatism’.

The folk of Pilling, near Cockersand Abbey, had the legal right for many centuries to take stone from an outcropping in the sands just offshore, Wet Arse Scar; this right came into dispute in 1808.

Histories of the area north of the Wyre are mostly lists of the architectural features of its churches, and heraldry of the families who owned the land on which my ancestors were hapless peasants grubbing in the mud in their clogs and smocks.

Jenny was born in May 1804 in Mains in the parish of Kirkham to James, a husbandman, and his wife Sarah Kea (Key, or Kaye). (Perhaps a distant relative of John Kay who invented the flying shuttle!) Jenny was christened 17 Jun 1804 in the parish church at Poulton le Fylde (St. Chad’s).

Her father was born in Stalmine, and her mother in Hambleton. Mains, (or Maynes, or Means) Hall was a manor in Singleton which had been owned by the Hesketh family. It is in Kirkham parish, just west of Singleton and east of Poulton-le-Feeylde — right across the Wyre river from Hambleton. Jenny’s family may have been tenants on Hesketh land. Oats, barley, potatoes, and wheat were grown in this area; there were also dairy cows and sheep.

The following paragraph is from a history of a village a few miles south, on the Ribble River, describing farming families overlooking a busy road on the weekend. Though the area is not exactly correct — a more populated towns south of the Wyre — and there wasn’t a major road near Jenny’s family, I like the picture it draws of the farmers of the Fylde in their aprons and clogs.

Farming families used to stand en masse in their fields, adjoining the main road, getting their entertainment from the constant stream of traffic passing through the village at weekends, dressed in their hessian ‘Brats’ (sacking aprons) and clogs. The ‘grannies’ wore beautifully made cotton sun bonnets, intricately tucked, generally heliotrope colour and most becoming!

Another history of village life in The Fylde says,

The flat Fylde landscape was a desolate and remote area in early history and remained visited by few outsiders until the arrival of the railway. There are still vivid memories among the older inhabitants of collies sent north by rail from Welsh farms to start work on the Fylde and of calves wrapped in sacks with just their head protruding and bearing a forwarding address label.

The River Wyre, which dissects the Fylde, was a barrier between the communities of this small piece of coastal flatland but occasionally families did move across the river boundary.

During Mr Lee’s research he heard of a family who made every effort to ensure their children were safe during the hazardous journey across the tidal reaches of the River Wyre.

“They put their children into milk churns to make sure they were sufficiently immobilised to keep them safe and prevent them from falling overboard!” says Mr Lee.

Mains, Kirkham Parish

Back to our young family and Jenny’s birth in 1804 in Mains.

Jenny was the third of eight children. It seems likely she was named after her mother’s mother, Jennet Walker of Hambleton. Her name is sometimes listed as Jane, Jain, Jennet, or Jenny; surname Cumpsty, Compsty, or Compstive. In the image of her christening record below, you can find Jenny listed on the right, 5th entry down.

christening records, 1804

The British Census began in 1801, but all I have currently are birth, marriage, and death records for the early years of Jenny’s life. Still, we can construct something of a picture of her home life from her siblings’ births, and imagine her growing up as part of this large farming family.

In 1810, Jenny was 6 years old. Her older brother John was 11; her sister Alice was 8. Younger siblings were Richard, 4, and Peggy, the baby.

In 1816, Jenny was 12. John was 17, Alice, 14. Her younger siblings were Richard, 10; Peggy, 6; Sarah, 3; and James, the baby.

Hambleton

In 1820 Jenny was 16 years old. Her younger siblings were Richard, 14; Peggy, 10; Sarah, 7, James, 4, and Henry, the baby. The older children were born in Mains, while Henry was born in Hambleton.

It looks to me as if the family all moved to Hambleton between 1816 and 1820, perhaps to be near Jenny’s mother, Sarah Key’s, family. Enclosure was starting to affect more of The Fylde as landowners drained, fenced, and marled the peat bogs. But I don’t know why they left Mains. If I look look at which of their relatives were in Hambleton at that time, from birth, christening, marriage, and burial records, it may give clues, so I’ll try that later.

A little tidbit about Hambleton:

Dr. Charles Leigh of Singleton, writing about 1700, states that the River Wyre ‘affords us a pearl fishing, which are frequently found in large mussels, called by the inhabitants Hambleton Hookins, from their manner of taking them, which is done by plucking them from their skeers or beds with hooks.

detail map showing mains

In 1821 her oldest brother John married Nancy Green. They had a son, Richard, in 1823.

In 1824-1825, Peggy, James, and Henry died in Hambleton. Perhaps it was cholera. Whatever happened with the family that moved them across the Wyre to Hambleton, it may not have been a positive change, since within 5 years of their move, several of the younger children died. It must have been a grim time for 20 year old Jenny Cumpsty, spinster. And when she is called a spinster, it seems likely she literally was spinning by hand since the region was known for its textile production.

Stalmine

In June 1825, at age 25, Jenny married William Dobson of Stalmine, Moss Side. Stalmine was (and is) a small village on the Wyre river just north of Hambleton. The “moss side” was to the east of the village, away from the river and the port, and closer to the wild lands of the peat bog — here, the Pilling Moss. In the 1820s, enclosure and drainage of the Moss continued, which meant that more and more of the land & its resources that had been in common use by nearby villagers was now owned, managed, and rented as private property.

A local detail: “A curious wooden track of split oak trees laid on birchwood scrub, known as Kate’s Pad or the Dane’s Pad, crosses the moss. Pollen tests have established that it pre-dates Roman times. Farmers have dug up trees of 50 ft in length.”

stalmine map detail

Jenny and William’s marriage was in Kirkham parish (not sure exactly where). Grace Compstive was a witness, likely one of Jenny’s relatives. The other witness was William Fairclough. Neither Jenny nor William could write their names – same with their witnesses – you can see their names are all in the curate’s handwriting, with “X – his mark” or “X – her mark”.

Jenny and William had three children, John, James, and William. They lived in Stalmine Moss Side. I have not found any evidence of William’s profession.

In April 1835, Jenny’s husband William died. She was left widowed with an infant and two small children under age 6.

In October 1837, banns were read for Jenny’s marriage to John Charnley, a 40 year old lath cleaver — and widower — in Stalmine. However, John and Jenny did not marry. Jenny was born 9 months after the initial banns were read, and her sister Sarah 18 months later.

Four months after Sarah’s birth, in 1841, John Charnley married Nancy Wilson. What a cad!

Later in their lives, both Sarah and Jenny used William Dobson’s last name, like their older siblings.

Jenny Cumpsty was listed in the 1841 Census under her birth name, as a 35 year widow living in Hambleton with her 5 small children, John, James, William, Jennet, and Sarah. Jenny’s occupation is simply listed as “Pauper”.

Notice in the census record that she lived near to James Roskell and his family. And William Fairclough, who witnessed her first marriage, was another neighbor.

Out Rawcliffe

detail map rawcliffe

In 1850 Jenny married John Roskell, older brother of her neighbor James. John was a widower with children, a blacksmith in Out Rawcliffe. He also owned a small farm, and could write his name.

We can see Jenny in the 1851 Census, now married, living in Out Rawcliffe with her husband the blacksmith, her stepson Robart, 15 and an apprentice to his father; her new 5 month old baby John; her youngest daughter Sarah Dobson (really daughter of John Charnley and born out of wedlock.)

In 1851, Jenny’s older daughter Jennet Dobson, my 3rd great-grandmother, was 12, working as a house servant for a family in Nether Wyresdale. We’ll come back to Jennet, but for now let’s stick with her mother.

In 1861, Jenny and her husband John Roskell the blacksmith were now 60 and 57 years old, still lived in Out Rawcliffe. Sarah, Jenny’s daughter, still lived with them at age 20, along with her half brother John, age 10, still in school. Jenny’s mother Sarah Cumpsty, age 87, also lived with them.

Now it gets upsetting. In Feb. 1862, John Roskell was imprisoned in Preston for 9 months for “carnally knowing a girl above the age of 10 years and below the age of 12 years”. He died in 1862.

What did Jenny do to survive? What happened to Sarah, and to John Roskell junior, still a child?

(I looked – And John worked as an agricultural laborer on nearby farms until his marriage in 1877 – his daughter Elizabeth gone in 1881 to live with her uncle, Jenny Cumpsty’s son William Dobson – and I see John Roskell in the 1901 census back on a farm as an unmarried servant, a cattleman. Because of his father’s imprisonment and death, he didn’t have the chance to become a blacksmith like his older brothers did.)

Jenny’s mother Sarah Cumpsty died in 1864, age 90.

In 1868 Jenny married Sylvester Tomlinson in Garstang. Clearly, she could get it. She died shortly after, aged 64.

I see her as a tough survivor of tough times.

Jennet

Back to Jenny’s daughter Jennet Dobson, my 3rd great-grandmother.

Jennet must have had a difficult childhood, as an illegitimate daughter of an impoverished widow in a small village. When her mother remarried in 1850, Jennet was 11 or 12, and she may have already been in service.

By 1851, at age 12, Jennet Dobson was in service for a farm family in Nether Wyresdale. That was probably a good thing, since her new stepdad John Roskell ended up convicted of being a child molester. The household where Jennet worked (Burn’s Farm) consisted of John Burn, 41, farmer of 104 acres; Ellenore Burn, 36; John Walker, 18, farm servant; Jane Dobson, 12, house servant; Ann Burn, 5, scholar; Jane Burn, 9 months. I picture them as a modestly well off small family with two young children, able to hire and support two extra workers in their household.

Ten years later, Jennet is working for what looks like a more wealthy family, the Heskeths of Upper Rawcliffe With Tarnacre, at Tarnacre Lane. That household was Thomas Hesketh, 74, “Farmer”; his son James, 33 and wife Emma, and their two young daughters. They had 4 servants, Jennet as the “house servant”, two 19 year old men and a 14 year old boy.

In 1863, Jennet married William Crane, a tailor, in Garstang. I’d like to see the parish record of that marriage to find out who stood up as witnesses for the young couple. That may give some clue to how they met.

10 years later, in the 1871 census, Jennet, 32, is listed as a tailoress, so likely worked with her husband. Caroline, 7, and John J., 5, are in school and they have a 1 year old sister Jane E. (I have seen her in some family trees as June Elizabeth). They lived in Barrow-on-Furness.

Caroline and John were born in Garstang, while Jane was born in Barrow-on-Furness. In 1871, the family had three lodgers, Richard (Houdan), 20, laborer; Isaac Ireland, 19; and John Eastham, 31.

Jennet died of smallpox later in 1871, leaving three children under 10.

This information about smallpox comes from my 4th cousin & fellow researcher Janette from Farnworth, who found it on Jennet’s death certificate. She also adds that William and Jennet moved to Barrow-in-Furness shortly after the railway was built across Morecambe Bay, enabling relatively easy transport. Thanks Janette!

I hope Jennet Dobson Crane had a happy life as a young wife, mother, and tailoress from 1863-1871, after her difficult youth. She got the hell out of the Moss lands of Over Wyre, a place that sounded entirely too Moist, even if now the little bits of it that remain are lovely nature preserves. Good work Jennet, rest in peace!

It is hard to picture what would then have happened to Jennet’s young children, including Caroline. Maybe they went to live with their grandfather or other relatives – a few years later she is living with her father’s sister. This crisis may have motivated changes that meant a year later William has moved to a bigger town (Farnworth) and is working as a brickmaker. He and his sons worked in coal mines and Caroline in the cotton mills around Farnworth and Darcy Lever. As I’ll trace in my next post, Caroline and family came to the U.S. to work in the cotton mills of Rhode Island.

There is a lot to say about the mid-1850s cotton mill industry in Lancashire, and the coal mines – I hope to go into some of those details!

Caroline was my grandmother’s grandmother and though she died before I was born, it’s interesting to trace these echoes of her past.

Here she is in 1942 with her son James Hutchinson, her granddaughter (my great-aunt Gladys), and a great-grandson. They came a long way from their ancestral lands of The Fylde!

caroline crane

Mixed trashy and nifty reading, lately

Sometime in mid-December I paused on the J.D. Robb “In Death” binge read and moved on to cozier fields: detective novels by M.C. Beaton (aka Marion Chesney), who died in December 2019. I read the complete Agatha Raisin series, easily plowing through 2 in an evening, and am now up to book 25 in the Hamish Mcbeth series. Hamish has a Scottish wildcat, a dog with oddly blue eyes, a once-per-book longing for a cigarette even though he quit, and about 5 ex-girlfriends who all happen to show up at once for him to feel conflicted about as he discovers dead bodies. As a nice touch, he sometimes reads an amazingly exotic U.S. detective novel where everyone has guns and there are lots of high speed car chases.

In between ridiculous mystery novels, I read The Story of the Mongols Whom We Call Tartars by Giovanni Caprini, which was excellent and all too short. It’s an Italian ambassador’s account of his 13th century visit to Mongolia. He met Batu Khan and Güyük Khan, describing the journey and customs of the people he met, and rounded off the book with strategic advice on how to fight the Mongols. (Right at one of those turning points dear to writers of alternate histories as, if Ogedei Khan hadn’t died just about then, Batu would likely have overrun Europe.)

As a chaser I’m reading Ibn Fadlan and the Land of Darkness: Arab Travellers in the Far North. It’s a collection of travel narratives by Muslim writers from the 9th century to about the 14th and it’s also pretty great. There’s no way for this not to be interesting and I love a primary source SO MUCH no matter what.

Ibn Fadlan‘s story describes his 9th century journey through Kazakhstan and then up the Volga to the far north where he meets the Rus, at least writes about the Samoyedi, and describes a Viking (Varangian) ship burial.

The next section of the book promises to be good as it’s an excerpt from Abu Hamid al-Garnati’s Wonders of the World where he goes to the land of the Bulgurs and writes enthusiastically about how cool beaver dams are. I look forward to his complaints about the food, the cold, the 20 hours of darkness per day, and how gross it is when people eat their own lice.

I also have William Cobbett’s Rural Rides going in the background, as it’s perfect for when I wake up at 3am and don’t want something with a compelling plot, so I can fall back asleep in the middle. It’s just Cobbett riding around Sussex or somewhere describing the scenery (which when I look it up, no matter how dramatically he describes it, it just looks like gentle, boring hills; Hawkley Hangar, I’m looking at you) and enthusing about the soil quality, how early you can harvest the corn (ie barley/wheat) or the turnips and swedes and also continuing his obsession with anyone who plaits straw for hats. Notable in recent middle of the night hallucinatory Cobbett memories, he had whooping cough and to cure it, rode all day and most of the night in the freezing rain with his shirt off, somewhere in the South Downs. Best sort of book as you can congratulate yourself on being in a warm, dry bed, totally not riding around England with whooping cough.

Jouissance and a sense of agency

Morning reading: Introduction to Hacking Diversity: The Politics of Inclusion in Open Technology Cultures by Christina Dunbar-Hester. This is going to be fun since everyone I know is quoted in it (often pseudonymously) But no quotes from me (I think) as during the interview phase I was having some sort of major health flare-up. And if there’s ever a book where I should be obscurely in the footnotes somewhere it’s this one!

Though “diversity in tech” discourse is emanating from many quarters in our current historical moment, it is important that the mandate of open-technology cultures is not identical to that of industry and higher education. Here, the reasons for engagement with technology nominally include experiencing jouissance and a sense of agency. This is experienced through, yet not reducible to, community members’ engagement with technology. If we tease apart the emancipatory politics from the technical engagement, we find that the calls for inclusion and for reframing power relations are not only about technical domains; rather, they are about agency, equity, and self-determination at individual and collective levels.

At that “jouissance” sentence I felt my heart sing and I felt so seen. Yes! This bodes well for the entire book’s understanding of our feelings and our context. So many histories leave out crucial things like love and fun and joy. Why have I fucked around with computers my whole life? Because love and happiness is why. They’re exciting, the Internet is still like a dream to me, the access to information and the possibilities of unfiltered/unmediated publishing or production, and consumption, still holds so much hope. Because I (we) like it that’s why. Like Mole seeing the Water Rat’s boat for the first time,

The Rat said nothing, but stooped and unfastened a rope and hauled on it; then lightly stepped into a little boat which the Mole had not observed. It was painted blue outside and white within, and was just the size for two animals; and the Mole’s whole heart went out to it at once, even though he did not yet fully understand its uses.

We still don’t, of course.

Also good, everything in this chapter about collectivity. *heart eyes emoji*

I met a fabulous storyteller

This afternoon I was sweeping up leaves from the sidewalk when an old guy stopped to remark on how he thought it was a pretty house. He lives around the block on Santa Marina and has lived there since 1952 and in 1960 he nearly bought this house but his wife didn’t like it. We continued chatting.

I mentioned the history of the house as an earthquake shack. He told me how he moved here in 1947, worked 6 days a week very long hours and earned 14 dollars a week, but that was very quickly enough to buy a house. His house was $9500 and soon he had enough money to buy a second house. And he’ll tell me something about it! We settled onto the sidewalk bench which I built specially for people to rest there when going up the hill, and I was prepared for pretty much anything at this point, because he was charming and rather intense. The story went something like this:

The house is at 18th and Church, in a little, in a little street near there,
“In the alley by the Mission? Mission Dolores!”
Yes, yes! You know! The Mission. The cemetery there.
“Yes I’ve been to the cemetery, it’s very strange, and sad, they enslaved people, a lot of people died”
Yes that’s right. The indigenous people died there. They’re in the cemetery. Anyway, in the 50s, 60s, I’m under the house, it’s, I’m on my knees, it’s very small,
“In the crawlspace?”
Yes! I’m crawling under there, I’m digging, it’s very dark, with the electrician, who is of Caucasian descent, European descent. And it’s very dark. He screams! He gives out a big scream! Then silence. Nothing.
“Did he find bones?”
No, no bones, I crawl around, I’m yelling Davy! Davy! That was his name. Davy (Scheule?) He was of European descent. And he fell down a big fucking hole!
“Oh my god!”
It is the well from the mission, Under my house! My house is built in 1750, and they don’t cover up the well!
Anyway, he was down the well, very far! I got out and got someone else, he brought a light. And we got him out of the well. It was very hard, and it took a long time. We got him out.
“Did he die?”
No, he was ok. And I tell a guy from the city! He’s of caucasian descent, this man. He comes, himself, with a crew, and he goes, himself, under the house! And he makes a stairway with the rope, a —
“A rope ladder?”
Yes, a ladder with the rope, then he goes down into the well, himself. And he comes up and has something, maybe, gold, but he says it’s his because he found it. I told him he can’t come back any more because I’m mad he took the things from the well! And, he reports me to the city because the house has no foundation.
“OMG. Coins? Money? What was it?”
I don’t know. Maybe money from 1900s, but older, it would be something else! So then I am building the foundation. I find the bricks, bricks put out for like to walk to the well, from the Mission. It’s a path to the well. Then I’m digging, I’m putting cement. And I dig these big wooden, like this, but big (indicating a 2 foot by two foot square beam) this big, from here, to that door (like 10 feet or so)
“Beams?”
Yes, big beams, of wood, very solid, very good, under the ground for 100 years. And then I find more of them, I dig them out. What they’re for I don’t know.
“Wow!”
Then I sell them, someone buys this wood for one thousand dollars! I don’t know why. I know things, not the things like this, but I know to fish, to grow, to build things. I’m not of European descent, I’m indigenous. So, I don’t know why they buy the wood, back then. What they do with it. I don’t let them go under the house any more.
“So, did you sell the house?”
No, I still have it.
“OK!!!!! So!!!!! Can I go down the well? Wow you are a really good storyteller! ”

*fin*

Then he gave me his card, in case I need advice in building or getting city permits which he’s great at because he’s been doing it for 50 years. We shook hands several times and I thanked him for the fantastic story!!! How did he know I love local history.

I have such good luck with random encounters and I want to be friends with this cool dude now. He is 86! And still contracting (with his son).

I guess all the houses right there around the Mission Dolores must be on top of some amazing stuff and archeologists have likely poked at it over the years!

Derailed by my free bookshelf

Someone put a faded booklet on my free bookshelf called “The Hope Slide Story” by Frank W. Anderson (Frontier Book No. 12). Looks like maybe the mid 60s though there is no date. The back of the booklet lists some great stuff in the series – Murder on the Plains! The Lost Lemon Mine! Regina’s Terrible Tornado! Reminds me of stuff I used to unearth in the basements of various libraries I worked in, in the 80s.

I settled in just now to eat dinner over this book. It starts out introducing its innocent victims or survivors, not sure which are which yet; they’re farmers, truckers, factory workers. I assume something dramatic is going to happen to these trucks. Are these Russian names? What’s up with that? Then I hit,

During the disturbances of 1953 in the Kootenays, Mary Kalmakoff had been one of the 103 Doukhobor children taken by the government and put in a special dormitory opened at New Denver. She was then in Grade 3. . . . On February 28th, 1958, 5 days after her 15th birthday, Mary left the New Denver internment camp and returned to her parents.”

I had to stop and look this up. What disturbances? Doukhobar?

So, Ukranian/Georgian/Russian Christian pacfist sect who believe in communal living and who emigrated in an enormous swoop to Saskatchewan where they formed special communal homesteads and, while non violent, were strangely into sectarian fighting via midnight arson. The Freedomites (Svobodniki or Sons of Freedom) also seemed to be into nude protest marches against the Community and Independent Doukhobors. Unclear who was bombing whom and why but a lot of it seemed to be protest against the government. They were still bombing railway bridges while naked in 1961…. wow. Well, I guess I’d bomb things naked too if they took my kids off to a prison camp and called it “Operation Snatch”. How horrible! But, they were originally marching naked to protest being given land that was too cold for crops (and other issues, like not wanting to sign a loyalty oath or register births and deaths, and I think also over not wanting to split their communities to register individually for land ownership.)

The Hope Slide Story certainly breezed right past this bit of history in its rush to bring together the cast of characters on the highway, “unaware that somehwere on the dark road ahead a yellow convertible, a hay truck and an oil tanker were rapidly moving towards a tragic rendezvous with fate.”

Very fried from a long day at work, I’m going to chill out with this amazing booklet and look everything up as I go.

Spoilers: https://en.wikipedia.org/wiki/Hope_Slide

UPDATE:

I’m back just a few pages later as there was another breezy mention of the Japanese internment camp prisoners “evacuated from the coastal cities” forced to build the very road the Hope Slide is about to slide down on top of. Why do Canadians have a reputation of being “nice” again?

Further update: The Japanese prisoners also were brought out to do some woodland firefighting.

SILENT HELL: Uh oh. the yellow convertible has run into a small snowslide about 15 feet high that went across the highway. The oil tanker guy, Stephanishin, is walking over there with his 6 volt lamp. I love this book! Then, a new chapter: SILENT HELL. Seismographs jump in distant laboratories! Explanation of the hillside and its 60 million cubic yards of dirt, rocks, snow, and trees, hanging above the heads of the innocent 4 people below!
They all go to warm up in the oil tanker. The hay truck guy pulls up and hangs out under the avalanche some more! The young guys try to go free the convertible. I think they are toast. I would not be messing with that baby avalanche! Its mama might come next!

OMG now a whole Greyhound bus. Another bus! Uh oh. They are going to go have a look at that yellow convertible. But Bernie, Mary, Dennis, and Thomas the hay bale truck driver were still alive at this point, in the oil tanker with the motor running for heat.

The landslide has now swooshed past and then splashed backwards lifting up the trucks and carrying them away.

An hour later everyone else shows up and starts to realize how big the slide was. Search and Rescue to the rescue! A helicopter arrives! A mountie dog named Prince! They built up the rescue a lot but only pulled out one dead body and never found the others. THE END.

Two hours in Chutchui

Though I’ve been here on and off since 1991 I have never been to the actual Mission building in the Mission. I set out in the late afternoon to visit, feeling sad and solemn. I wanted to see the grave markers for Jocbocme and Poylemja aka Obulinda and Faustino. I hadn’t realized they are thin slabs of redwood and not gravestones from 200 years ago. The building, well, it was an old adobe church, I’ve seen a few and it was just like the rest of them. The big church, I couldn’t get into. There was a tiny kind of sad museum with minimal signage and a diorama uneasily juxtaposed with gilded religious things – in separate glass cabinets. The cemetery was a moody place with an untended air; the Ohlone tule house replica and “indian memorial” was full of water and trash inside. I read the gravestones, and a long list of all the people with grave markers there. Some were marked as killed by vigilantes. There were some french names, italian, lots of irish, many spanish including De Haro, José de Jesús Noé, the Bernal family, Captain Arguello. I was wondering if there would be a grave for Francisca, one of the first to die at the Mission (no.) Of course, the entire Dolores Park was a giant graveyard as well. I wandered around and thought of the unmarked graves of the thousands of Ohlone, Miwok, and other indigenous people who died at the Mission. The little statue of Kateri Tekakwitha, engraved “In Prayerful Memory of the Faithful Indians.” (WTF?!!??!!) Moss and grime on all the names in stone. As I went around the streets outside, I tried to see the landscape without rows of houses and pavement and see the landforms, creeks, arroyos, dunes, reed beds, and oaks that were there and the villages or camps of the Ramaytush people moving around the peninsula, including Chutchui. The banks of the creek were familiar to people, particular trees, good places to sit and look out from the hills, all familiar and homelike. As I went past the Maxfields cafe I was debating going in to write up some of my notes and also do some more work for the day. Ada and her friends were inside & ran out to fetch me! A nice surprise. They continued working on their D & D game prep while I got some work done. It was just nice to be around them. Waiting for the J, I was still looking around trying to see into the past several layers deep, my mood quite strange as well from having been reading the book “Ishi’s Brain” on top of the creepy Mission visit, when I realized the next train wasn’t going to come for 40 minutes (weird) so we trudged up to Castro to get the 24 home. The kids got on the back of the bus but the front was too crowded for me to get on. I tried to yell to them to just go without me but they hadn’t noticed so all was well – I would just get the next bus and use the interval to keep thinking my thoughts and take more notes. On the ride over the steep hills of Castro I was trying to re-think Chutchui into an alternate modern existence. The creeks open to the sky and rather than parks, camping sites as part of the infrastructure of the city, interspersed with buildings, the transport mostly underground, marshes and cultivated reedbeds and dunes still there, and people magically inoculated from disease, coexisting messily, much like now but with some different foci, different languages, power centered differently. As we turned onto 30th I got a phone alert on the Citizen app that a man had been stabbed in the back at the bus stop that I was about to get off at (30th and Mission) and traffic was stopped and would be rerouted. People were streaming live video of a woman in a red hat screaming at the police. Two men had run away from the scene, leaving in a white car. As my bus neared the scene we could all see that the block was swarming with cops. At least, I knew the kids were ok. It was their bus empty and parked a few blocks ahead at the corner of Mission and 30th. I got off the bus (explaining to the driver and the people at the front what was going on) and went home, skirting the cordoned off block and feeling so glad for my leather jacket covering the itchy places between my shoulderblades and more moodiness underneath as I thought of my girlfriend who was stabbed there in the 80s. Violence & ghosts are built into our landscapes as familiarly as anything else.

Remembering a moment in 1993

Every once in a while I think of this. I used to spend a lot of time in the early 90s playing (and writing) MUDs on my boyfriend’s leftover prototype Mac Portable (ie the “mac luggable”). (A bit later, another prototype Mini Duo Dock was like a dream…. so tiny and light!) I also spent a fair amount of time on IRC and gopher (and archie) just poking around, looking at stuff, spelunking, looking for new MUDs and BBSes to try out. My hangout was Dark Side of the Moon at the time.

Anyway one day in 1993 Kevin came home and was showing us (probably some combo of me, max, and my sister) this new awesome thing, Mosaic. MIND BLOWN. I remember just going into a sort of trance like I was on mental overdrive. I yelled “OH FUCK. They’re going to put ADS on our COMPUTERS.” “No… haahahah that couldn’t happen. What do you mean. What?” Look. I’m telling you. ADS… my god…. oh, god. OH GOD!!!!! “No one would let that happen. They’re our computers.” OH MY GOD YOU DON’T SEE IT. I’M TELLING YOU!!!!

It was like the Double Rainbow guy but the polar opposite. It was like being Cassandra or someone in a place about to be severely colonized. I could see it all. I could see the future.

Well, hello there past me. You were correct. It’s as dystopian as you thought it would be! And even weirder!

Sometimes it slams into me again all at once and I feel a wild sense of cognitive dissonance that this is where we ended up.

Books inhaled lately

I’m still pecking away at the Morland Dynasty books by Cynthia Harrod-Eagles and still recommend them! If you like Regency romances, or anything Napoleonic War related, Master & Commander, or whatever, you might like this series a lot. It has solid historical research behind it, which I find very satisfying and also alluring (It leads me to fall into giant Wikipedia sinkholes.) I’m on #16, The Devil’s Horse, which is very exciting as railways (tramways really) are just starting to be a Thing. There are more scenes in Manchester & some mention of Castlereagh (and his wife Emily or Lady Castlereagh, who you may recall from your Regencies was a Lady Patroness of Almack’s who could get you vouchers) and Canning. Lady C: “Her own parties were considered dull, and her manner was somewhat eccentric: guests described her conversation as an endless flow of trivial information delivered in an oddly detached manner.” I like her already. I hope she had a lot to say about trains.
There are lots of scandalous and miserable events – affairs, deaths (maybe murders – I have THOUGHTS about Flaminia).

Also reading How Long ‘Til Black Future Month, which is great! More details when I finish it.

I also re-read Archivist Wasp and the sequel to it, and T. Kingfisher’s Swordheart. Not reading quite as much as usual lately because I’m thinking about Inform7 so much.

24th St Mission BART station report

Starting my BART station report series with my home station, 24th St Mission. Sometimes the St is spelled out so it’s 24th Street Mission, and sometimes it’s abbreviated in station signs. You can get some overview of the neighborhood on the Calle 24 Historic District site in English and Spanish. Get ready to ramble! I’m going to just write everything that comes into my mind from my notes, memories, and researches. I hope that you will enjoy reading it and then will see this (or some other train station or place in your city) with a new perspective.

Though I can go the half mile from my house to the station under my own power, this time I got there on the bus, debouching directly in front of a bench where a guy with a 49ers jacket was sitting holding a bug-eyed chihuahua on his lap, passing by him to scoot into Taqueria El Farolito since the line was very short.

El Farolito has a narrow corridor along the kitchen where you order and wait, and small picnic tables along the wall. I can make it in there in my powerchair to order, turn around by the jukebox after I order, and make it back out, but there is nowhere my wheelchair can fit for me to sit and eat inside. No big deal. As is usual in SF taquerias you get a number and lurk around the counter listening for your number. Bonus if you understand numbers in Spanish. I got a carnitas super burrito with everything and a mexican coke to go, which comes with a little bag of chips and some napkins, in a plastic bag with handles. The handles are so useful and important for hanging the bag on the arm of my wheelchair. Mexican coke is nicer and tastier than US coke because it uses cane syrup instead of corn syrup and it comes in a pretty glass bottle.

If you can see over the counter as you wait (I cannot in this particular location) then please admire the efficiency of the burrito-makers and study their workflow. It is instructive to compare the workflow of different taquerias, for stunning speed, La Taqueria; for complexity (sometimes as many as 14 people behind the narrow counter) Pancho Villa. Keep in mind that THESE BURRITOS ARE LOVE. You are going to be nurtured by your delicious and amazing burrito. Appreciate it properly.

At some point over the years I wondered what possible connection there was between burritos and lighthouses (Faro = lighthouse in Spanish and in many romance languages from the famous Lighthouse of Alexandria on the island of Pharos). I think it is from the “home of the Mission burrito” being Febronio Ontiveros‘ El Faro taqueria. So maybe El Farolito is an offshoot of the original El Faro at 20th and Folsom.

As I was waiting two mariachis came in, one with accordion, another with guitar and an amp on a hand truck. They set up and started playing in the back of the tiny narrow restaurant. I got my own salsa in containers and headed out to eat in the BART plaza. I shared one of the square cement bench blocks with a friendly tamale lady and a couple who were discussing their plans for the day in Spanish; staying in my comfy powerchair but using the bench corner for my coke bottle and bag of chips and also putting my feet up on there from time to time. One bench over, I noticed the Raccoon Guy (a white haired and bearded grizzled older man who has hung out in this plaza for years but recently achieved viral fame for bringing a dead raccoon into the nearby McDonald‘s.) From this we can deduce that 24th and Mission is a pretty good raccoon habitat, barring accidents.

orquestra de 24

OK so this plaza, the one on the Northeast corner. I am pretty familiar with it and it is one of my favorite hangouts, sort of refreshing and beautiful to me in a special way. Yes I realize sometimes it smells like pee. Try to bear with me. When it doesn’t smell too much like pee, it’s so nice! Lively, full of action, so much to look at, excellent food for the flaneur’s soul! On weekends there are often loud preachers or a band of old dudes playing mostly Cuban music. If I get there for the music then I hang out for a few songs and put some money in their donation bin. It is a lovely scene on a sunny day with families stopping to watch, people dancing, the tall washingtonia palms far overhead against a blue sky. Even without those very organized musicians, there are frequently other musicians playing in the plaza or coming up from the BART stairwell, and music coming from someone’s portable speaker or cars or the market in the southwest plaza that’s catty-corner across the street. The buses fwoosh and beep, the distinctive train car sound swells up from underground, Norteño or salsa music comes and goes, lots of Spanish and Chinese spoken all around. It is a lively soundscape that I absolutely love.

Facing north from this plaza, you’ll see a mural on the wall of El Farolito. This is by Michael V. Rios and shows a geometric cityscape, and some determined, rather grim people shouldering train rails with a shining metal BART train riding on top. It has a nice socialist realist feel to it, as it honors the workers who built and maintain the city’s infrastructure. The gleaming futuristic train is carried on the backs of the people! Maybe the people who built it or the people who paid for it with their taxes!

Facing west, past the stairwell, there is a giant mural on the side of the Silverstone cafe in addition to the super funky and cool coffee and tea sign of Silverstone. Sorry I don’t know much about the mural and forgot to take pictures but it says something like “SOCKS” on it. More later if I go investigate, or find info about this mural online. The Silverstone Cafe itself is quite nice, and has wifi and – I didn’t know till this week’s exploration – A pretty nice patio in back! And good, low priced, (large) pastries and breakfast and sandwich type of food. The interior is beautiful with a giant wooden… bar back or mantelpiece sort of thing. Because of the TV I didn’t try to work from this cafe, though I might in future. (Instead I ended up a few blocks down 24th, at Haus, which also has a lovely patio and an accessible bathroom.) If you go that direction you could also stop by Precita Eyes and learn more about the neighborhood’s murals.

I didn’t hang out today at the southwest plaza but can say it has a pleasant street market with booth selling jewelry, souvenirs, shopping bags, belts, phone cases and chargers, headphones, shirts (often ones embroidered huipil style) and ponchos (wool). There are also sometimes flower sellers and a booth for vitamin type of things, phone plan sales. Sometimes events in the far corner under the Coffee & Mission mural like, breakdancers or rappers. This mural is on Osage St. and is by Mark Bode, Mel Waters, Dino, Nite Owl, Dagon, and Free. You may notice Mel Waters‘ distinctive style in like, a zillion other murals all over the Misson and the rest of the Bay Area. There is a big metal ventilation tower here that, in Ingress and Pokémon, is a portal named Lipstick Tube after the shape of the tower. The way the plaza is shaped in the back by the stairwell entrance makes a pretty good stage for any sort of street events. There is also a dark green kiosk-style public bathroom in this plaza. I have never used it, opting to buy a coffee or something instead to use a bathroom!

Did you ever notice the “two totemic posts” of this plaza? I hadn’t. Hang onto your hats as I want to paste in a hefty quote from the designers.

The two totemic posts in the foreground were placed to formalize a stage area already used as such by the community. Otherwise, most vertical elements were removed to open up the plaza.

The plaza was originally designed along with the underground station in 1970. The basic configuration is an open plaza paved in a concentric brick pattern that radiates out from a large circular opening in the center. The opening comprises the main station entrance, containing a stair and escalator column with recessed semicircular planters on either side.

The circular opening offered the design team a powerful theme. The circle form not only ties together design elements throughout the plaza but attempt to also communicate universal notions. The circle is an ancient form used by many civilizations. It was universal and almost always represented the sun and thence fecundity, society and important values.

Eliminating the security fencing revealed the existing great circle—being able to enter and emerge from such a shape is an unusual experience even in a famous city. The cylindrical tower (necessary to protect the existing spiral stair) acts as a beacon for the station and recalls an ancient Maya astronomical observatory. It has a south-facing skylight through which the sun illuminates colored portholes. Emerging from the circle passengers will catch a glimpse of colored sunlight—but the light will not again appear in the same spot for an entire year. Of identical shape to the tower are shiny bollards (necessary to prevent vehicle intrusion from the alley) that are positioned in various angles to reflect sunlight at different strengths when seen from a distance. Throughout the plaza can be found variations on the theme of circles, light and totems.

Nifty! (What spiral stair?! Is that what the Lipstick Tube is?! I assumed it was for ventilation!)

Back to our BART station. I did not get even halfway through the burrito. I can live off a burrito for like, three meals at LEAST. While I was sitting there a mad-eyed disheveled dude asked me and everyone nearby for change. He eventually settled down elsewhere in the plaza. Being accosted for money is likely but just take it in stride. If you like to help people you might keep some dollar bills in a pocket ready to dole out (that’s what I do) and know how to set limits on the interaction, and how to say no. It may make you uncomfortable though especially at night. Personally I feel perfectly comfortable here day and night as it is very public and well lit with tons of people around. Anyway, I sat through many buses pulling up, people walking by, tamale lady calling out her wares (tamales de pollo, de carne!) and selling some from her ice chest on wheels. She’s super nice, I see her there a lot.

I waited for the elevator with a sweet family who had been shopping (grandma, mom, and teenage daughter with her backpack worn frontways across her stomach). Three dudes were just nearby playing very loud Cuban music (excellent taste) and cat calling us (Ay mamacita!!! que estás bonitaaaaaaaa!!!!) But not like hostile cat calling, basically a . . . non-hostile routine social interaction. I looked over at them and nodded, breaking all the rules of such things, being a sucker for good music and since their piropos weren’t gross or anything. But me and the older women also side-eyed each other in mixed annoyance and amusement and then when we got in the elevator kind of burst out laughing.

The elevator had the horrible smell of pee and industrial cleaning fluid. I always kind of long to tackle the gross walls of this elevator where someone tried to write, or paint, and then it was ineptly and incompletely sprayed with cleaner, so there are horrible drips going down the wall and it looks filthier than if they had just left the graffiti alone. There are also times when there’s… food smeared on the wall? I dunno! The thing with the smell is, the pee must run down through the mechanism of the door to the elevator well below, and just fester there for years. There need to be more bathrooms, open all hours, though, I think the Pit Stop bathrooms do help and in recent years the stench has been ameliorated to some extent.

The elevator from the northeast plaza lets you out in a sketchy feeling nook in the north corner of the concourse. The stairwell there (and, same on the other side) has 2 stairways and an escalator, with abstract concrete bas reliefs by the English sculptor William George Mitchell. If you get up close to the walls you can feel the rough (even sharp) corrugations which are the background to the broad smooth planes of the cement geometric shapes. I wonder if they give the Mission stairwells some of their nice acoustic properties. There are often musicians in them, and while I explored on this day there was an excellent guitarist, Ángel Rodriguez from Banda Sin Nombre, in one stairwell and then later in the day, a saxophonist in the other.

The concourse has a beautiful arched design that makes me think of 70s futuristic things, or maybe particular airports, with the concrete arches overhead soaring like an airplane hangar, and more interesting corrugation in between creating a fairly beautiful line. If you don’t look up, or look at the shape of the buttresses of the arches, you are missing out. The lighting is also really not bad for an underground area. If you do have a look at the ceilings you may also notice a lot of anti-pigeon spikes. (Ow!) Speaking of ow, as a small accessibility note I would say there is an archway pillar between the north stairwell and the entry ticket points where, the slope of it as you might be coming out of the ticket area is such that for a blind cane user, it would be easy to run your head right into the underhang of the arch. Same goes for the pillar by the southwest stairwell as you come out of the ticket area there and turn right – headbonking opportunity. That could be prevented by a small guard rail in both areas.

There’s a ticket entrance by the elevator and the northeast stairwell, and another on the south side of the station, by the agent booth. This south entrance is where the wheelchair and stroller accessible entry and exit point is. In some other stations, the elevator to the platform is outside the pay entry cage so you have to specially remember to reach over the barrier to tag yourself out (even though you’re already out!) Once you’re in the paid area, there are 3 stairwells from south to north; the first is an escalator coming up from the platform, and some bike racks. At the far north end of the paid area you’ll find the elevator to the platform (call button on the left). Like most elevators in the system this one has buttons marked C for Concourse and P for platform.

Platform 1 has the northbound trains, Platform 2 has the southbound. If you traverse the length of the platform you will see the 3 stairwells; the furthest one from the elevator is the escalator going up. In between the escalator and the middle stairwell are some big block style cement benches, and between the second stairwell and the 3rd, there’s a big map and schedule. The median walls (on the stairwells) are tiled with brown, orange, gold, yellow tiles with an occasional black one, which I think of as a kind of nice Painted Desert effect or like the backgrounds for Wile E. Coyote and the Roadrunner. There are mysterious little rooms in these areas too with numbered doors (as there also are on the concourse). I expect these will factor into my BART text adventure game in some way. On the walls to either side of the platform tunnel you can see the same buttress looking cement things as you see above in the concourse. Between those, there’s plain beige tiles and a space for ads.

So, I’m going to return to my game-writing now! This isn’t an exhaustive Guide To Things To Do near 24th and Mission station, though, I do recommend you get a great burrito and admire the murals while you’re here. There is also excellent grocery shopping at many small latin american stores, a middle eastern grocery around 26th, bookstores nearby down 24th and on Valencia and 20th, and several import stores with a standard selection of things like cheap suitcases, backpacks, socks, SF souvenirs, jeans, trinkets, and I don’t know what all else as it’s been a while since I was able to fit through their aisles!

By the way…. tomorrow is the 18th Annual No-Pants Bart Ride Day! Are leggings cheating? I get cold!

Index to all posts describing my BART station visits