Literary events coming up

Tonight I’m going to the Marsh Theater to Lynnee Breedlove’s “One Freak Show”. Come and join me! Maybe dinner or drinks afterward?

On Saturday, for Litcrawl, I’m going to:

PHASE I, 6–7 p.m.

Dalva (21 and over)
3121 16th Street
Poetry Mission: Spoken Word Poets Take the Stage
Lineup includes: Rupert Estanislao, Leticia Hernández-Linares, Ise Lyfe, Phillip T. Nails, Dan O., Aimee Suzara, and Kirya Traber. Emcee: Elz Cuya.

Sounds fabulous, I like Leticia’s work a lot, don’t know the others, so the draw for me is getting to hear work I won’t otherwise hear.

OR

Abandoned Planet Bookstore
518 Valencia Street
One World, Many Languages: Literature in Translation
Lineup includes: Chana Bloch, Hamida Banu Chopra, Zack Rogow, John Oliver Simon, and Niloufar Talebi.

I love all these translators, but actually, will see most of them next week at the American Literary Translators conference in Seattle! So that might mean I skip the event where all my homies will be.

7:15-8:15pm

No question here, I’m going to this. Genderqueer is at the same time and I want to support that event but I already know most of those people and their work and hear them at queer readings.

Encantada Gallery
908 Valencia Street
Flor Y Canto: Chicano/Latino Writers in English
Lineup includes: Ruben A. Barron, Ananda Esteva, Melissa Lozano, Alejandro Murguia, Milta Ortiz, and Luis Alberto Urrea.

PHASE III, 8:30–9:30 p.m.

No question here, either. The Casa del Libro event looks good too but I am a huge fan of WWD.

Latin American Club (21 and over)
3286 22nd Street
Getting Boozy: Writers With Drinks and Manic D Press
Writers With Drinks: Claire Light, Lauren Wheeler, and Alvin Orloff. Emcee: Charlie Anders. Manic D Press: Jennifer Blowdryer, Justin Chin, and Jon Longhi. Emcee: Jennifer Joseph

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Biographies for children


The Crisis
Originally uploaded by Liz Henry.

I’m reading up on Langston Hughes, his biographies and poetry. The more I read about him the more I love him.

I read all the juvenile non-fiction biographies of him today, and noticed fascinating differences over time. Early biographies from the 50s and 60s simplified his early life. Later ones complicate it more and more. It’s not made complicated according to the intended age of the reader. In fact the most recent biographies outline all sorts of complexities; his mom’s poverty, his mom and dad’s breakup and attempt to get back together, his living with his grandmother; his stepdad and stepbrother, the failure of his mom’s second marriage, etc. etc. Even how later in life his mom reproached him for not sending her enough money… but he still loved her and sent her as much as he could.

In the Alice Walker bio from the 1970s – aimed at elementary school kids – the n word is used liberally and there are detailed descriptions of racism… and a description of his dad’s racism against Mexican native americans… While later bios from the 90s mention racism, but gloss over it, and leave out n***** and avoid mention of Hughes’ poems that use the word, like Mulatto – unlike the earlier more hard-hitting bios and anthologies.

You don’t get that kind of overview of the changing ways that history sees and frames a person, or their writing, and their political meanings, from reading one (the most recent) biography. I thought this “junior biography journey” was pretty interesting! Especially for Hughes, who wrote so many books for children himself, including biographies.

And I should have taken better notes – in fact I’ll try to go back to the library and write up the 5 or 6 biographies that I read, with citations.

The impulse to be minor

When I’m editing a wiki, even privately, I have the impulse to click “This is a minor edit,” even when I’ve made significant changes. It seems presumptious to have an implied “major edit” be the default. I don’t want to contribute too much noise to the signal of the wiki’s Recent Changes page.

Part of the impulse to label all my edits “minor” is because I twiddle and save frequently; I’ll edit a few words out of a sentence here and there, save, and go right back to that paragraph. I blog that way too, screwing up everyone’s RSS feeds, publishing carelessly as an idea comes, and then fiddling with the entry over the next hour as I realize my phrasing was clumsy or a new idea, related, strikes me.

On a related but different level, I believe that it is important to expose the process of thought, the evolution of intellect, the muddled waters where research and inspiration meet and ideas coalesce. Many people don’t know how to think; they don’t think they think; they can’t see themselves thinking, because they only have seen “finished products” and never the intermediate stages. Uncertainty is forbidden. It is private. It’s personal. It’s weak and vulnerable. That is a limitation I see as unnecessary. It is often useful, but not always. It’s a barrier to collaboration and to learning.

But then I wonder if both these behaviors in myself, the constant “minor editing” of blog and wiki, might signify an asymptotic process-focus, where I regard nothing as done, nothing as major, nothing achieved. My poems remain in their notebooks and rough drafts indefinitely. I consider even my master’s thesis as a “draft”. It pains me to refer to it as finished.

Gender plays into this. Women underplay their acheivements & work. I do it too. I don’t want to bring attention, or be under fire. I rarely feel any work is done, good enough; I might change my mind. Everything could be improved. I can think of someone who has done part of that, or expressed the idea, more neatly, more professionally. And yet I consider myself bold! What baggage, what damage, we carry.

A good friend and I were discussing this the other day as we rushed to deprecate ourselves and our collaborative work on our own private wiki. “I haven’t done enough.” “No, I haven’t done enough!” Then we realized what we were doing. The conversation led to our discussing how we compare our own work to the best in our field, come up short, and feel we are impostors. As I contemplated this impulse in myself I realized I compare my own thesis, as a work in progress (seriously, it’s not really *done* done, no matter what the diploma says!) to writing by women 30 years older than myself who are on their 10th book. We are not comparing ourselves to our peers, but to the best we see — and worse than that, to the best we can imagine. On some level I am proud of this impulse, and think it will help me to keep improving my work for my entire lifetime. However, this strange combination of arrogance and humility can be a huge obstacle; when it blocks me, I have to try to break myself of the mental habit of “being minor.”

As a generalist who is constructing anthologies, I also put a lot of pressure on myself, and feel pressure from outside, to have depth of knowledge as well as range. I cannot be as much of an expert on each poet, or each country, as women who (again) are usually far older than myself and further along in their careers and who have focused down in a narrow area.

Despite all these things, I am becoming more and more comfortable claiming authority. I credit technology and the control over the means of production that it’s brought me with part of my own intellectual evolution. Without the freedom to publish and edit, publish and edit, in a cyclical pattern, exposing “drafts” — unlike the publication of a book that would have to start out more perfect that I could imagine, and that would never be fixable — I would not have had the confidence to step into a public forum of ideas. My notebooks, essays, poems, and all that would have stayed, like so many other women’s over history, in diaries and personal letters.

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Focus resolution; geek love

Looking back on this blog – I realize I should focus a bit more. Liveblogging should probably not go here, but somewhere else, and I can link to it from here.

I could also go back through every post to add tags. Cleaning up my other blogs seems impossible because they’re too huge already, but this one’s not so bad.

Why this blog? I thought it could help me to have a public non-pseudonymous presence. I have these essays on poetics from a few years ago, which I should post here and be done with it. I have feelings that my thoughts and visions about literature and blogging and my approach to the Internet have roots in common. Whatever that unity is, I have not yet found a way to explain it, even thought the feeling’s still strong.

Since my first encounter with computers and even the thought of AI, I have felt that computers in relation to humans are beautiful. Part of the love I feel is twined with feminism; the Cyborg Manifesto expresses this very well. Now, I had not read the Cyborg Manifesto when I was 10 and pounding away on the keys of my neighbors Apple II or Kaypro to make it write poetry. And yet felt so deeply sitting there that I was in love in an science-fiction-loving way, with the future, with a key, a key to liberation or unity of something broken in myself and in society. Before my contact with the net, I loved the idea of it. In front of the fuzzy glowing green letters on the black screen my mind was taking off to imagine infinite things; my own robotic arms extending into space in a mining colony, or the beautiful moment when the computer talked back. When you meet a tool like that, that is not quite a tool, that is an artistic medium but more than that, it’s an important moment. While all machines have beauty to me, I don’t feel the same about a xerox machine or even a typewriter, though maybe about certain architecture or performances or cities. Complexity, constructedness, potential and space – space as in room; an organic work of art that invites participation in its own construction. It makes the human imagination bigger. Some vast imaginariness collective unconscious reservoir of potential opens up!

This is nonsense and mysticism, but I still want to talk about it.

A thought on cultural appropriation

I was thinking of this today, as I did my “bridgeblogging” and some translation from Spanish. So went to look up the exact quote. It’s from Revolutionary Letter #31 by Diane Di Prima.

better we should all have homemade flutes
and practice excruciatingly upon them, one hundred years
till we learn to
make our own music

(In contrast to children in Bengal spending their lives in factories not singing because singing is for export, for Folkways records.)

I do try to “practice excruciatingly” – thus my blogs and poetry. I understand what Di Prima is saying – it is the “Are my hands clean?” of Sweet Honey in the Rock’s song – and the answer is no. I wonder if Di Prima listens to Folkways records. It is a poem worth thinking about, even if you don’t live by it, as I am not.

I hope that my blogging, reading and writing, have a net benefit for everyone. As a translator I do worry about this and issues of “cultural capital” and I don’t really have an answer. Oh, the guilty socialist intellectuals who don’t know what to do! I’m not complaining, but there it is. I wonder if it is that I believe not in Art (which di Prima’s poem is against) but in Information. Well, against it when it’s set against the value of human life. “not all the works of Mozart worth one human life”. Instead we believe we are saving lives by our techno info hippie art – but whose? Whose lives or whose privilege?

I believe in what I do! But I remain suspicious of it and of the structures that support it.

Licking the sun, or hot lava, or something

Now here’s a fine sounding event… which I’ll just repost even though I’m white and not in Brooklyn. Just to wave my pompoms a little bit in the general direction, and spread the word.

Tongues Afire: Creative Writing Workshop for Queer Women, Trans Women and
Gender Non Conforming Women of Color*
October 5, 2006 – December 14, 2006
Workshop Facilitator: R. Erica Doyle

What: Creative Writing Workshops

When: Thursdays, 6:30 pm – 8:30 pm

Where: Audre Lorde Project, 85 South Oxford Street; Brooklyn, NY 11217**

How much: FREE
How to Apply: Send an email with your contact information to
tonguesafire@gmail.com to register for the workshop.
Space is limited and available on a first-come, first-served basis.
Registration Deadline: Monday, October 2, 2006

Feminism and blogs

There’s a panel on November 14, Blogging Feminism: (Web)Sites of Resistance, at Barnard:

Of the internet’s viability as a tool for political change, we ask, is there a better example than the blog? Young and youthfully minded feminists have learned that blogging allows them to carve out personal and political spaces where their lives, their issues, their analyses of the world can come into sharp focus. Outside the confines of mainstream media, where women are addressed (usually exclusively) as consumers, feminist bloggers have become the cultural producers blazing some of the most radical and rousing paths toward revolutionary social change.

In celebration of the publication of this fall’s issue of The Scholar & Feminist Online, guest editors Gwendolyn Beetham and Jessica Valenti come together with select contributors to discuss how feminists are fulfilling the promise of creating a cybercommunity dedicated to securing a more just and peaceful world. Panelists include Lauren Spees and Michelle Riblett, BC ’05 (Hollaback), Liza Sabater (Culture Kitchen), among others. Join us for a spirited discussion of feminism in the 21st century.

Good! We need more discussions like this. We need to be documenting our feminism, compiling references, making solid, lasting interconnections. The Scholar and Feminist Online seems like a good step.

We’ve had one feminist think tank discussion in chat since the Wiscon “Feminist think tank” panel, and other projects spawned from it, like the stuff at feministsf.net – a group blog, a wiki, a carnival of feminism in SF, and more.

I still think that Wikipedia’s dearth of information on feminism needs to be addressed and fixed, but we also need new tools.

Virtual Poetry Slam

This contest looks pretty cool. Citizens for Global Solutions is holding a virtual poetry slam video contest. Video yourself and upload it to their blog. They ask for a focus on the environment. I’m not sure what the other guidelines are.

Cash! First place – $500; second place – $250; third place – $100
Top entries will be posted on our website blog on a rolling basis as we receive them. So, hurry and send in your video. The contest deadline is October 15th.

It’s a good idea. I wonder how much poetry performance is on YouTube already? Let’s take a look, with a search on “poetry” with the highest ranked video at the top.

Barcamp presentation on Celestia


barcamp stanford
Originally uploaded by Liz Henry.

A few slow moments, but impressive and cool as hell. In the application, Celestia, you can fly around to planets and stars, see orbits, etc. And each star or planet or whatever has a ton of information. Rod lectured us on luminosity. Galen let us know that Viga is the coolest moon of Neptune.

This presentation generated the best quote from barcamp stanford:

Audience: Hey Rod, what are those green lines?
5 year old kid: Those green lines? Those are curved space-time.

I could only lie there on the ground and whimper, that was so cool.

and the next best quote:

Galen: Can we see Uranus?

flickr video generator

This thing is extremely clever. From the command line or with a little cgi interface you can put in a keyword and number of images. The application fetches that number of tagged images from flicker and puts them into a quicktime video format. hey presto, instant slide show/video thingie.

I think someone wrote it this afternoon. (That’s why I’m not linking to it. I’m sure some version of it will be public soon enough.)

I could take all the photos from Milo’s stop motion animation projects, put them on Flickr with a unique tag, then generate a bloggable video way faster than i could on iMovie.

Now we need the streaming audio to go with it!